First Assistant Camera: Additional
The Last Black Man in San Francisco (2019)
Directed by: Joe Talbot
Cinematography by: Adam Newport-Berra
Edited by: David Marks
Cameras: ARRI ALEXA Mini Camera
First Assistant Camera: Technocrane
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Loader: Los Angeles
Henry's Crime (2010)
Directed by: Malcolm Venville
Cinematography by: Paul Cameron
Edited by: Curtiss Clayton
Camera Loader: Second Unit
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Camera Loader: Second Unit
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Camera Loader: Second Unit
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Camera Loader
Gamers (2006)
Directed by: Christopher Folino
Cinematography by: Roberto 'Tito' Blasini
Film Loader
Dallas 362 (2003)
Directed by: Scott Caan
Cinematography by: Phil Parmet
Edited by: Andrea Bottigliero
Set Production Assistant
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
