Michael Sandow

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Super 8 | ShotOnWhat?

Assistant Camera

Super 8 (2011)

Directed by: J.J. Abrams

Cinematography by: Larry Fong

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

The FP | ShotOnWhat?

Jody

The FP (2011)

Directed by: Brandon Trost, Jason Trost

Cinematography by: Brandon Trost

Edited by: Abe Levy

MacGruber | ShotOnWhat?

Second Assistant Camera: Los Angeles

MacGruber (2010)

Directed by: Jorma Taccone

Cinematography by: Brandon Trost

Edited by: Jamie Gross

Burlesque | ShotOnWhat?

Additional Camera Assistant

Burlesque (2010)

Directed by: Steve Antin

Cinematography by: Bojan Bazelli

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses, Cooke Speed Panchro Lenses

Halloween II | ShotOnWhat?

Film Loader: Additional Photography, Los Angeles / Second Assistant Camera: "a" Camera

Halloween II (2009)

Directed by: Rob Zombie

Cinematography by: Brandon Trost

Edited by: Glenn Garland, Joel T. Pashby

Cameras: ARRI Cameras

Crank: High Voltage | ShotOnWhat?

First Assistant Camera

Crank: High Voltage (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Marc Jakubowicz, Fernando Villena

Cameras: Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Shrink | ShotOnWhat?

Second Assistant Camera: "a" Camera

Shrink (2009)

Directed by: Jonas Pate

Cinematography by: Lukas Ettlin, Isaac Phillips

Edited by: Luis Carballar

Cameras: Panavision Cameras

The Rainbow Tribe | ShotOnWhat?

Additional Film Loader

The Rainbow Tribe (2008)

Directed by: Christopher R. Watson

Cinematography by: Shane Daly

Edited by: Marshall Lee

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Camera Production Assistant

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

National Treasure: Book of Secrets | ShotOnWhat?

Camera Production Assistant

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Bee Season | ShotOnWhat?

Bee Season (2005)

Directed by: Scott McGehee, David Siegel

Cinematography by: Giles Nuttgens

Edited by: Lauren Zuckerman

Gone in Sixty Seconds | ShotOnWhat?

Production Assistant

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Armageddon | ShotOnWhat?

Casting Assistant

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Con Air | ShotOnWhat?

Production Assistant

Con Air (1997)

Directed by: Simon West

Cinematography by: David Tattersall

Edited by: Chris Lebenzon, Steve Mirkovich, Glen Scantlebury

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

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