Compositing Supervisor: With A Twist Studio
Machine Gun Preacher (2011)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Compositor: With A Twist Studio
Water for Elephants (2011)
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Compositor: Pixel Magic
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Animal Trainer
Chihuahua: The Movie (2010)
Directed by: Michael Amundsen
Cinematography by: Eugenio Cañas
Edited by: Michael Amundsen
Compositor
Hotel for Dogs (2009)
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
Digital Artist: Pixel Magic
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Compositor: LOOK! FX Inc.
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Inferno Artist: Modern VideoFilm
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Inferno Artist: Modern Videofilm
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Compositor: Rhythm & Hues
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Compositing Supervisor: SBS
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Digital Artist
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Digital Compositor: Digital Domain
Red Corner (1997)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
