Stand-in
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Reporter
Dorothy and the Witches of Oz (2012)
Directed by: Leigh Scott
Cinematography by: Leigh Scott
Stand In Captain America, Stunts
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Stand-in
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
N.Y. Cop
Kiss Kiss Bang Bang (2005)
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Stand-in
The Ring Two (2005)
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Production Assistant
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Production Assistant
Sweet Home Alabama (2002)
Directed by: Andy Tennant
Cinematography by: Andrew Dunn
Production Assistant
The Glass House (2001)
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Stunts
Not Another Teen Movie (2001)
Directed by: Joel Gallen
Cinematography by: Reynaldo Villalobos
Edited by: Steve Welch
Stunts
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Photo Double: Matt Damon
Rounders (1998)
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Photo Double: Matt Damon
The Rainmaker (1997)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Bartender
Lost Highway (1997)
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Stand-in: Mr. Damon
Good Will Hunting (1997)
Directed by: Gus Van Sant
Cinematography by: Jean-Yves Escoffier
Edited by: Pietro Scalia
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Stand-in
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Assistant Football Coach
Leave It to Beaver (1997)
Directed by: Andy Cadiff
Cinematography by: Thomas Del Ruth
Edited by: Alan Heim
Extras Casting Assistant, Stand-in
The Last Days of Frankie the Fly (1996)
Directed by: Peter Markle
Cinematography by: Phil Parmet
Edited by: David Campling
