Colorist: Dailies
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Colorist: Dailies
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Colorist: Dailies
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Colorist: Dailies
'The New Normal' The Big Day (2013)
Directed by: Max Winkler
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Dairy Queen (2013)
Directed by: Bradley Buecker
Cinematography by: Carlos González
Edited by: Colin Johnson
Colorist: Dailies
'The New Normal' Finding Name-O (2013)
Directed by: Elodie Keene
Cinematography by: Carlos González
Edited by: Andrew Groves
Colorist: Dailies
'The New Normal' About a Boy Scout (2013)
Directed by: Scott Ellis
Cinematography by: Carlos González
Edited by: Colin Johnson
Colorist: Dailies
'The New Normal' Blood, Sweat and Fears (2013)
Directed by: Elodie Keene
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Rocky Bye Baby (2013)
Directed by: Paris Barclay
Cinematography by: Carlos González
Edited by: Colin Johnson
Colorist: Dailies
'The New Normal' Dog Children (2013)
Directed by: Wendey Stanzler
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Gaydar (2013)
Directed by: Elodie Keene
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Stay-At-Home Dad (2013)
Directed by: Bradley Buecker
Cinematography by: Carlos González
Edited by: Colin Johnson
Colorist: Dailies
'The New Normal' The Goldie Rush (2013)
Directed by: Elodie Keene
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Unplugged (2012)
Directed by: Max Winkler
Cinematography by: Carlos González
Colorist: Dailies
'The New Normal' Para-New Normal Activity (2012)
Directed by: Burr Steers
Cinematography by: Carlos González
Edited by: Colin Johnson
Colorist: Dailies
'The New Normal' Baby Proofing (2012)
Directed by: Max Winkler
Cinematography by: Carlos González
Colorist: Dailies
'The New Normal' The XY Factor (2012)
Directed by: Elodie Keene
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Pardon Me (2012)
Directed by: Max Winkler
Cinematography by: Carlos González
Colorist: Dailies
'The New Normal' The Godparent Trap (2012)
Directed by: Miguel Arteta
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Bryanzilla (2012)
Directed by: Ryan Murphy
Cinematography by: Carlos González
Edited by: Colin Johnson
Colorist: Dailies
'The New Normal' Nanagasm (2012)
Directed by: Miguel Arteta
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Obama Mama (2012)
Directed by: Scott Ellis
Cinematography by: Carlos González
Edited by: Colin Johnson
Colorist: Dailies
'The New Normal' Baby Clothes (2012)
Directed by: Ryan Murphy
Cinematography by: Carlos González
Edited by: Philip Harrison
Colorist: Dailies
'The New Normal' Sofa's Choice (2012)
Directed by: Ryan Murphy
Cinematography by: Carlos González
Edited by: Colin Johnson
Colorist: Dailies - 22 Episodes, 2012-2013
The New Normal (2012)
Directed by: Elodie Keene, Max Winkler, Ryan Murphy, Scott Ellis, Miguel Arteta, Bradley Buecker, Burr Steers, Paris Barclay, Wendey Stanzler
Cameras: ARRI ALEXA Camera, Sony CineAlta F65 Camera
