Foley Supervisor
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Foley Artist
St George's Day (2012)
Directed by: Frank Harper
Cinematography by: Mike Southon
Edited by: Nick McCahearty
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Foley Mixer
The Deep Blue Sea (2011)
Directed by: Terence Davies
Cinematography by: Florian Hoffmeister
Edited by: David Charap
Foley Supervisor
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Foley Mixer
The Caller (2011)
Directed by: Matthew Parkhill
Cinematography by: Alexander Melman
Edited by: Gabriel Coss
Foley Recordist
Tyrannosaur (2011)
Directed by: Paddy Considine
Cinematography by: Erik Wilson
Edited by: Pia Di Ciaula
Cameras: Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses: Cooke Speed Panchro Lenses
Foley Mixer
TT3D: Closer to the Edge (2011)
Directed by: Richard De Aragues
Cinematography by: Thomas Kürzl
Edited by: Beverley Mills
Foley Supervisor: Universal Sound
The Best Exotic Marigold Hotel (2011)
Directed by: John Madden
Cinematography by: Ben Davis
Edited by: Chris Gill
Foley Mixer: Universal Sound
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Foley Mixer
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Foley Mixer
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System