Patrick Istorico

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Avengers: Endgame | ShotOnWhat?

Company Grip

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Company Grip

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Fast 8 | ShotOnWhat?

Company Grip

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Captain America: Civil War | ShotOnWhat?

Company Grip

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Best Boy Grip: Perfexia Unit

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

The Boss | ShotOnWhat?

Grip

The Boss (2016)

Directed by: Ben Falcone

Cinematography by: Julio Macat

Edited by: Craig Alpert

Cameras: ARRI ALEXA 65 Camera

Lenses: Leitz Summilux-C Series Lenses

Triple 9 | ShotOnWhat?

Company Grip: 2nd Unit

Triple 9 (2016)

Directed by: John Hillcoat

Cinematography by: Nicolas Karakatsanis

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Passengers | ShotOnWhat?

Company Grip

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Grip: Credited

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Temptation: Confessions of a Marriage Counselor | ShotOnWhat?

Rigging Grip

Temptation: Confessions of a Marriage Counselor (2013)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

42 | ShotOnWhat?

Rigging Grip

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Last Vegas | ShotOnWhat?

Grip

Last Vegas (2013)

Directed by: Jon Turteltaub

Cinematography by: David Hennings

Edited by: David Rennie

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses

Anchorman 2: The Legend Continues | ShotOnWhat?

Company Rigging Grip

Anchorman 2: The Legend Continues (2013)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

American Identity | ShotOnWhat?

Grip: Alabama

American Identity (2007)

Directed by: Stephen Rollins

Cinematography by: Ly Bolia

Edited by: Jon Vasquez

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