Rick Thomas

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Rustin | ShotOnWhat?

Gaffer

Rustin (2023)

Directed by: George C. Wolfe

Cinematography by: Tobias A. Schliessler

Edited by: Andrew Mondshein

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Rental DNA LF Lenses

Transformers: The Last Knight | ShotOnWhat?

Bright | ShotOnWhat?

Gaffer

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Suicide Squad | ShotOnWhat?

Gaffer

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Lucky One | ShotOnWhat?

Chief Lighting Technician

The Lucky One (2012)

Directed by: Scott Hicks

Cinematography by: Alar Kivilo

Edited by: Scott Gray

The Dilemma | ShotOnWhat?

Gaffer

The Dilemma (2011)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Bad Teacher | ShotOnWhat?

Gaffer

Bad Teacher (2011)

Directed by: Jake Kasdan

Cinematography by: Alar Kivilo

Edited by: Tara Timpone

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Thor | ShotOnWhat?

Chief Lighting Technician: Second Unit

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Ca$h | ShotOnWhat?

Gaffer

Ca$h (2010)

Directed by: Stephen Milburn Anderson

Cinematography by: John R. Leonetti, Robert Primes

Edited by: Mark Conte

The Men Who Stare at Goats | ShotOnWhat?

Chief Lighting Technician

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Horsemen | ShotOnWhat?

Gaffer

Horsemen (2009)

Directed by: Jonas Åkerlund

Cinematography by: Eric Broms

Edited by: Jim May, Todd E. Miller

The Blind Side | ShotOnWhat?

Gaffer

The Blind Side (2009)

Directed by: John Lee Hancock

Cinematography by: Alar Kivilo

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Year One | ShotOnWhat?

Gaffer

Year One (2009)

Directed by: Harold Ramis

Cinematography by: Alar Kivilo

Edited by: Craig Herring, Steve Welch

Cameras: Panavision Cameras

The Promotion | ShotOnWhat?

Gaffer

The Promotion (2008)

Directed by: Steve Conrad

Cinematography by: Lawrence Sher

Edited by: Myron Kerstein, Tim Streeto

The Burning Plain | ShotOnWhat?

Chief Lighting Technician

The Burning Plain (2008)

Directed by: Guillermo Arriaga

Cinematography by: Robert Elswit

Edited by: Craig Wood

Cameras: Panavision Cameras

The Lookout | ShotOnWhat?

Chief Lighting Technician

The Lookout (2007)

Directed by: Scott Frank

Cinematography by: Alar Kivilo

Edited by: Jill Savitt

Flags of Our Fathers | ShotOnWhat?

Key Rigging Gaffer

Flags of our Fathers (2006)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses: Panavision C Series Anamorphic Lenses

Let's Go to Prison | ShotOnWhat?

Gaffer

Let's Go to Prison (2006)

Directed by: Bob Odenkirk

Cinematography by: Ramsey Nickell

Edited by: Eric L. Beason, Dennis Thorlaksen

The Ice Harvest | ShotOnWhat?

Gaffer

The Ice Harvest (2005)

Directed by: Harold Ramis

Cinematography by: Alar Kivilo

Edited by: Lee Percy

The Amityville Horror | ShotOnWhat?

Chief Lighting Technician

The Amityville Horror (2005)

Directed by: Andrew Douglas

Cinematography by: Peter Lyons Collister

Edited by: Roger Barton, Christian Wagner

The Company | ShotOnWhat?

Gaffer

The Company (2003)

Directed by: Robert Altman

Cinematography by: Andrew Dunn

Edited by: Geraldine Peroni

Road to Perdition | ShotOnWhat?

Gaffer: Chicago

Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Barbershop | ShotOnWhat?

Chief Lighting Technician

Barbershop (2002)

Directed by: Tim Story

Cinematography by: Tom Priestley Jr.

Edited by: John Carter

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Just Visiting | ShotOnWhat?

Gaffer: Second Unit

Just Visiting (2001)

Directed by: Jean-Marie Poiré

Cinematography by: Ueli Steiger

Edited by: Michael A. Stevenson

Cameras: Panavision Cameras

Stir of Echoes | ShotOnWhat?

Additional Grip

Stir of Echoes (1999)

Directed by: David Koepp

Cinematography by: Fred Murphy

Edited by: Jill Savitt

Riders of the Purple Sage | ShotOnWhat?

Grip

Riders of the Purple Sage (1996)

Television Movie

Directed by: Charles Haid

Cinematography by: William Wages

Edited by: David Holden

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