Final Sound Re-recording Mixer
My Brother the Devil (2012)
Directed by: Sally El Hosaini
Cinematography by: David Raedeker
Edited by: Iain Kitching
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Re-recording Mixer
This Must Be the Place (2011)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Re-recording Mixer
Kavsak (2010)
Directed by: Selim Demirdelen
Cinematography by: Aydin Sarioglu
Edited by: Selim Demirdelen
Re-recording Mixer
Five Minarets in New York (2010)
Directed by: Mahsun Kirmizigül
Cinematography by: James Gucciardo
Edited by: Mustafa Presheva
Sound Re-recording Mixer: Point 1 Post
The Infidel (2010)
Directed by: Josh Appignanesi
Cinematography by: Natasha Braier
Edited by: Kim Gaster
Re-recording Mixer
Nefes: Vatan Sagolsun (2009)
Directed by: Levent Semerci
Cinematography by: Vedat Özdemir
Re-recording Mixer
The Disappearance of Alice Creed (2009)
Directed by: J Blakeson
Cinematography by: Philipp Blaubach
Edited by: Mark Eckersley
Re-recording Mixer
Pars: Kiraz operasyonu (2007)
Directed by: Osman Sinav
Cinematography by: Torben Forsberg
Edited by: Kemalettin Osmanli
Re-recording Mixer
Tristan + Isolde (2006)
Directed by: Kevin Reynolds
Cinematography by: Arthur Reinhart
Edited by: Peter Boyle
Additional Re-recording Mixer
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Re-recording Mixer
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Re-recording Mixer
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Sound
The Blue Butterfly (2004)
Directed by: Léa Pool
Cinematography by: Pierre Mignot
Edited by: Michel Arcand
Re-recording Mixer
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
Re-recording Mixer: Final Mix
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Re-recording Mixer
My Little Eye (2002)
Directed by: Marc Evans
Cinematography by: Hubert Taczanowski
Edited by: Mags Arnold
Re-recording Mixer
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Re-recording Mixer
The Count of Monte Cristo (2002)
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Re-recording Mixer
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Preview Re-recording Mixer
Bridget Jones's Diary (2001)
Directed by: Sharon Maguire
Cinematography by: Stuart Dryburgh
Edited by: Martin Walsh
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Re-recording Mixer
High Heels and Low Lifes (2001)
Directed by: Mel Smith
Cinematography by: Steven Chivers
Edited by: Chris Blunden
Re-recording Mixer
I Dreamed of Africa (2000)
Directed by: Hugh Hudson
Cinematography by: Bernard Lutic
Edited by: Scott Thomas
Re-recording Mixer
Plunkett & Macleane (1999)
Directed by: Jake Scott
Cinematography by: John Mathieson
Edited by: Oral Norrie Ottey
Re-recording Mixer
eXistenZ (1999)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Re-recording Mixer
Hilary and Jackie (1998)
Directed by: Anand Tucker
Cinematography by: David Johnson
Edited by: Martin Walsh
Re-recording Mixer
Little Voice (1998)
Directed by: Mark Herman
Cinematography by: Andy Collins
Edited by: Michael Ellis
Re-recording Mixer
The MatchMaker (1997)
Directed by: Mark Joffe
Cinematography by: Ellery Ryan
Edited by: Paul Martin Smith
Re-recording Mixer
G.I. Jane (1997)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
Re-recording Mixer
Wilde (1997)
Directed by: Brian Gilbert
Cinematography by: Martin Fuhrer
Edited by: Michael Bradsell
Re-recording Mixer
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Re-recording Mixer
Brassed Off (1996)
Directed by: Mark Herman
Cinematography by: Andy Collins
Edited by: Michael Ellis
Re-recording Mixer
The Secret Agent (1996)
Directed by: Christopher Hampton
Cinematography by: Denis Lenoir
Edited by: George Akers
Re-recording Mixer
Carrington (1995)
Directed by: Christopher Hampton
Cinematography by: Denis Lenoir
Edited by: George Akers
