Blake Muir

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The Sapphires | ShotOnWhat?

Lead Compositor: Method Studios

The Sapphires (2012)

Directed by: Wayne Blair

Cinematography by: Warwick Thornton

Edited by: Dany Cooper

Argo | ShotOnWhat?

Digital Compositor

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

A Few Best Men | ShotOnWhat?

Digital Compositor

A Few Best Men (2011)

Directed by: Stephan Elliott

Cinematography by: Stephen F. Windon

Edited by: Sue Blainey

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Oranges and Sunshine | ShotOnWhat?

Compositor: Post Modern

Oranges and Sunshine (2010)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

Editing System: Avid Editing System

Knowing | ShotOnWhat?

Digital Compositor

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Daybreakers | ShotOnWhat?

Roto Artist

Daybreakers (2009)

Directed by: Michael Spierig, Peter Spierig

Cinematography by: Ben Nott

Edited by: Matt Villa

Australia | ShotOnWhat?

Compositor: Postmodern Sydney

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

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