Angenieux Optimo 28-76 mm T2.6 Lens | 117 Titles
Party Girl (2014)
Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche
Cameras | Red Epic Camera
Les vacances du petit Nicolas (2014)
Directed by | Laurent Tirard | Cinematography by | Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
3 coeurs (2014)
Directed by | Benoît Jacquot | Cinematography by | Julien Hirsch | Editing by | Julia Gregory
Cameras | ARRI ALEXA Camera
La ritournelle (2014)
Directed by | Marc Fitoussi | Cinematography by | Agnès Godard | Editing by | Laure Gardette
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses
Le dernier loup (2015)
Directed by | Jean-Jacques Annaud | Cinematography by | Jean-Marie Dreujou | Editing by | Reynald Bertrand
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens
My King (2015)
Directed by | Maïwenn | Cinematography by | Claire Mathon | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses
Jamais de la vie (2015)
Directed by | Pierre Jolivet | Cinematography by | Jérôme Alméras | Editing by | Yves Deschamps
Cameras | Sony PMW-F55 Camera
Une enfance (2015)
Directed by | Philippe Claudel | Cinematography by | Denis Lenoir | Editing by | Isabelle Devinck
Cameras | Sony PMW-F55 Camera
En équilibre (2015)
Directed by | Denis Dercourt | Cinematography by | Julien Hirsch | Editing by | Pauline Gaillard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Une mère (2015)
Directed by | Christine Carrière | Cinematography by | Jeanne Lapoirie | Editing by | Martine Barraqué
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Boomerang (2015)
Le temps des aveux (2014)
Directed by | Régis Wargnier | Cinematography by | Renaud Chassaing | Editing by | Véronique Lange, Yann Malcor
Cameras | ARRI ALEXA Plus Camera
Vie sauvage (2014)
Directed by | Cédric Kahn | Cinematography by | Yves Cape | Editing by | Simon Jacquet
Cameras | Sony PMW-F55 Camera
Les souvenirs (2014)
Directed by | Jean-Paul Rouve | Cinematography by | Christophe Offenstein | Editing by | Christel Dewynter
Cameras | ARRI ALEXA Series Cameras
La belle saison (2015)
Directed by | Catherine Corsini | Cinematography by | Jeanne Lapoirie | Editing by | Frédéric Baillehaiche
Cameras | ARRI ALEXA Series Cameras
L’effet aquatique (2016)
Directed by | Sólveig Anspach, Jean-Luc Gaget | Cinematography by | Isabelle Razavet | Editing by | Anne Riegel
Cameras | ARRI ALEXA Series Cameras
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Et ta soeur (2015)
Directed by | Marion Vernoux | Cinematography by | Nicolas Gaurin | Editing by | Guerric Catala
Cameras | ARRI AMIRA Camera
The Transporter Refueled (2015)
Directed by | Camille Delamarre | Cinematography by | Christophe Collette, Vincent Richard | Editing by | Julien Rey
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
SMS (2014)
Directed by | Gabriel Julien-Laferrière | Cinematography by | Axel Cosnefroy | Editing by | Stephan Couturier
L’Oranais (2014)
