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Rio Bravo (1959)

Motion Picture | 2D | Color | 141 Minutes

Directed by | Howard Hawks | Cinematography by | Russell Harlan | Editing by | Folmar Blangsted

Starring | John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson

Cameras | Mitchell BNC Camera

The Gold Rush (1925)

Motion Picture | 2D | Black & White | 95 Minutes

Directed by | Charles Chaplin | Cinematography by | Roland Totheroh | Editing by | Charles Chaplin

Starring | Charles Chaplin, Mack Swain, Tom Murray, Henry Bergman

Cameras | Bell & Howell 2709 Camera

Grease (1978)

Motion Picture | 2D | Color | 110 Minutes

Directed by | Randal Kleiser | Cinematography by | Bill Butler | Editing by | John F. Burnett

Starring | John Travolta, Olivia Newton-John, Stockard Channing, Jeff Conaway

Cameras | Panavision Cameras

Lenses | Panavision Lenses

One Flew Over the Cuckoo’s Nest (1975)

Motion Picture | 2D | Film Project | Color | 133 Minutes

Directed by | Milos Forman | Cinematography by | Haskell Wexler | Editing by | Sheldon Kahn, Lynzee Klingman

Starring | Jack Nicholson, Louise Fletcher, Will Sampson, Michael Berryman

The Bridge on the River Kwai (1957)

Motion Picture | 2D | Color | 1.37:1, 2.35:1, 2.55:1 | 161 Minutes

Directed by | David Lean | Cinematography by | Jack Hildyard | Editing by | Peter Taylor

Starring | William Holden, Alec Guinness, Jack Hawkins, Sessue Hayakawa

Lenses | Bausch & Lomb Lenses

It’s a Wonderful Life (1946)

Motion Picture | 2D | Black & White, Colorized | 130 Minutes

Directed by | Frank Capra | Cinematography by | Joseph F. Biroc, Joseph Walker, Victor Milner | Editing by | William Hornbeck

Starring | James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell

From Here to Eternity (1953)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 118 Minutes

Directed by | Fred Zinnemann | Cinematography by | Burnett Guffey, Floyd Crosby | Editing by | William A. Lyon

Starring | Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed

Cameras | Mitchell Cameras

A Streetcar Named Desire (1951)

Motion Picture | 2D | Black & White | 122 Minutes

Directed by | Elia Kazan | Cinematography by | Harry Stradling Sr. | Editing by | David Weisbart

Starring | Vivien Leigh, Marlon Brando, Kim Hunter, Karl Malden

Patton (1970)

Motion Picture | 2D | Film Project | Color | 172 Minutes

Directed by | Franklin J. Schaffner | Cinematography by | Fred J. Koenekamp | Editing by | Hugh S. Fowler

Starring | George C. Scott, Karl Malden, Stephen Young, Michael Strong

Cameras | Mitchell FC 65mm Camera

The Apartment (1960)

Motion Picture | 2D | Film Project | Black & White | 2.35:1 | 125 Minutes

Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell

Starring | Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston

Cameras | Mitchell Cameras

High Noon (1952)

Motion Picture | 2D | Black & White | 85 Minutes

Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams

Starring | Gary Cooper, Grace Kelly, Thomas Mitchell, Lloyd Bridges

Cameras | Mitchell Cameras

The Pianist (2002)

Motion Picture | 2D | Black & White, Color | 150 Minutes

Directed by | Roman Polanski | Cinematography by | Pawel Edelman | Editing by | Hervé de Luze

Starring | Adrien Brody, Thomas Kretschmann, Frank Finlay, Emilia Fox

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Midnight Cowboy (1969)

Motion Picture | 2D | Film Project | Black & White, Color | 113 Minutes

Directed by | John Schlesinger | Cinematography by | Adam Holender | Editing by | Hugh A. Robertson

Starring | Dustin Hoffman, Jon Voight, Sylvia Miles, John McGiver

Fargo (1996)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | William H. Macy, Frances McDormand, Steve Buscemi, Peter Stormare

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Standard Speed Prime Lenses

Rio Grande (1950)

Motion Picture | 2D | Black & White | 105 Minutes

Directed by | John Ford | Cinematography by | Bert Glennon | Editing by | Jack Murray

Starring | John Wayne, Maureen O'Hara, Ben Johnson, Claude Jarman Jr.

Grace of Monaco (2014)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Olivier Dahan | Cinematography by | Eric Gautier | Editing by | Olivier Gajan

Starring | Nicole Kidman, Tim Roth, André Penvern, Frank Langella

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses

Sleep, My Love (1948)

Motion Picture | 2D | Black & White | 97 Minutes

Directed by | Douglas Sirk | Cinematography by | Joseph A. Valentine | Editing by | Lynn Harrison

Starring | Claudette Colbert, Robert Cummings, Don Ameche, Rita Johnson

A Double Life (1947)

Motion Picture | 2D | Black & White | 104 Minutes

Directed by | George Cukor | Cinematography by | Milton R. Krasner | Editing by | Robert Parrish

Starring | Ronald Colman, Edmond O'Brien, Signe Hasso, Shelley Winters

Cameras | Mitchell BNC Camera

Serpico (1973)

Motion Picture | 2D | Color | 130 Minutes

Directed by | Sidney Lumet | Cinematography by | Arthur J. Ornitz | Editing by | Dede Allen, Richard Marks

Starring | Al Pacino, John Randolph, Jack Kehoe, Biff McGuire

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Pursued (1947)

Motion Picture | 2D | Black & White | 101 Minutes

Directed by | Raoul Walsh | Cinematography by | James Wong Howe | Editing by | Christian Nyby

Starring | Teresa Wright, Robert Mitchum, Judith Anderson, Dean Jagger

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