1.85:1 | 1571 Titles
Everybody Wants to Be Italian (2007)
Directed by | Jason Todd Ipson | Cinematography by | Michael Fimognari | Editing by | Mike Saenz
Cameras | Panavision Cameras
Are You Being Served? (1977)
Directed by | Bob Kellett | Cinematography by | Jack Atcheler | Editing by | Al Gell
Cameras | Panavision Cameras
Paraiso Travel (2008)
Directed by | Simon Brand | Cinematography by | Rafa Lluch | Editing by | Alberto de Toro
Cameras | ARRI Cameras
It’s My Turn (1980)
Directed by | Claudia Weill | Cinematography by | Bill Butler | Editing by | Byron 'Buzz' Brandt, James Coblentz, Marjorie Fowler, David Bretherton
Cameras | Panavision Cameras
Outrageous Fortune (1987)
Directed by | Arthur Hiller | Cinematography by | David M. Walsh | Editing by | Tom Rolf
Cameras | Panavision Cameras
The Good Mother (1988)
Directed by | Leonard Nimoy | Cinematography by | David Watkin | Editing by | Peter E. Berger
Cameras | Panavision Cameras
Four Lions (2010)
Directed by | Christopher Morris | Cinematography by | Lol Crawley | Editing by | Billy Sneddon
Cameras | Sony HDW-F900 Camera
Revenge of the Nerds (1984)
Directed by | Jeff Kanew | Cinematography by | King Baggot | Editing by | Alan Balsam
Cameras | Panavision Cameras
Holy Smoke (1999)
Directed by | Jane Campion | Cinematography by | Dion Beebe | Editing by | Veronika Jenet
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Hao men ye yan (1991)
Directed by | Alfred Cheung, Tung Cho 'Joe' Cheung, Clifton Ko, Hark Tsui | Cinematography by | David Chung, Ardy Lam, Andrew Lau Wai-Keung, Kin Keung Lee, Tak-Wai Lee, Peter Pau, Chi-Wai Tam, Wing-Hang Wong | Editing by | Ma Kam, Marco Mak, David Wu, Shao Feng Yu
Cameras | ARRIFLEX 35 BL4s Camera
The English Patient (1996)
Evolution (2001)
Directed by | Ivan Reitman | Cinematography by | Michael Chapman | Editing by | Wendy Greene Bricmont, Sheldon Kahn
Cameras | Panavision Cameras
Nadine (1987)
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by | Larry Charles | Cinematography by | Luke Geissbuhler, Anthony Hardwick | Editing by | Craig Alpert, Peter Teschner, James Thomas
Cameras | Panasonic AJ-HDC27 Varicam Camera
Chapter Two (1979)
Directed by | Robert Moore | Cinematography by | David M. Walsh | Editing by | Michael A. Stevenson
Cameras | Panavision Cameras
Batman Forever (1995)
Directed by | Joel Schumacher | Cinematography by | Stephen Goldblatt | Editing by | Mark Stevens, Dennis Virkler
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Deadly Blessing (1981)
Directed by | Wes Craven | Cinematography by | Robert C. Jessup | Editing by | Richard Bracken
Cameras | Panavision Cameras
Bad Company (1972)
Directed by | Robert Benton | Cinematography by | Gordon Willis | Editing by | Ron Kalish, Ralph Rosenblum
Cameras | Panavision Cameras
The Color of Money (1986)
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Cameras | ARRI Cameras
Second Sight (1989)
Directed by | Joel Zwick | Cinematography by | Dana Christiaansen | Editing by | David Ray
Cameras | Panavision Cameras