1.85:1 | 1571 Titles
Comme un lion (2012)
Directed by | Samuel Collardey | Cinematography by | Samuel Collardey, Charles Wilhelem | Editing by | Sylvie Lager
Cameras | ARRI ALEXA Camera
Tu honoreras ta mère et ta mère (2012)
Directed by | Brigitte Roüan | Cinematography by | Agnès Godard | Editing by | Laurent Rouan
Cameras | ARRI ALEXA Camera
Casse-tête chinois (2013)
Le dernier des injustes (2013)
Directed by | Claude Lanzmann | Cinematography by | Caroline Champetier, William Lubtchansky | Editing by | Chantal Hymans
Cameras | Aaton Penelope Camera, Aaton Xterà Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Bicycling with Molière (2013)
Directed by | Philippe Le Guay | Cinematography by | Jean-Claude Larrieu | Editing by | Monica Coleman
Cameras | Red Epic Camera
Bird People (2014)
Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses
Au bout du conte (2013)
Directed by | Agnès Jaoui | Cinematography by | Lubomir Bakchev | Editing by | Fabrice Rouaud
Cameras | ARRI ALEXA Plus Camera
Le grand retournement (2013)
Directed by | Gérard Mordillat | Cinematography by | François Catonné | Editing by | Marie Quinton
Cameras | Sony PMW-F3 Camera
Nymphomaniac: Vol. I (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Trilogia II: I skoni tou hronou (2008)
Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos
Cameras | ARRIFLEX 535 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Something in the Air (2012)
Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Aaton Penelope Camera
Mauvaise fille (2012)
Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses
Denis (2013)
Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
Main dans la main (2012)
Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Quelques heures de printemps (2012)
Directed by | Stéphane Brizé | Cinematography by | Antoine Héberlé | Editing by | Anne Klotz
Cameras | ARRI ALEXA Camera
Renoir (2012)
Directed by | Gilles Bourdos | Cinematography by | Ping Bin Lee | Editing by | Yannick Kergoat
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Camille redouble (2012)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler
Cameras | ARRI ALEXA Plus Camera
Sister (2012)
Directed by | Brenda Davis | Cinematography by | Alexandra swati Guild | Editing by | Alistair Shurman
Cameras | ARRI ALEXA Camera
À coeur ouvert (2012)
Directed by | Marion Laine | Cinematography by | Antoine Héberlé | Editing by | Mathilde Van de Moortel
Cameras | ARRI ALEXA Camera