1.78:1 (16x9) | 470 Titles
La casa muda (2010)
Directed by | Gustavo Hernández | Cinematography by | Pedro Luque | Editing by | Gustavo Hernández
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Triumph67 (2010)
Directed by | Dan Tanz | Cinematography by | Jeremy Wilker | Editing by | Dan Tanz, Jeremy Wilker
Cameras | Sony PMW-EX3 Camera
Lenses | Canon FD Series Lenses
Premio lo Nuestro a la música latina 2010 (2010)
Exit Through the Gift Shop (2010)
The Good Son: The Life of Ray Boom Boom Mancini (2013)
Directed by | Jesse James Miller | Cinematography by | Ken Johns, Ian Kerr | Editing by | Charlie Renfrew
Cameras | Red One Camera
Sherlock (2010)
| Cinematography by | Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther | Editing by | Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses | Cooke S4 Lenses, Zeiss Super Speed Lenses
Glen Campbell: I’ll Be Me (2014)
Nasza klatwa (2013)
Directed by | Tomasz Sliwinski | Cinematography by | Magda Hueckel, Tomasz Sliwinski | Editing by | Justyna Król, Tomasz Sliwinski, Tomasz Wolski
Chasing Ice (2012)
Une vie de chat (2010)
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
Pretty Little Liars (2010)
| Cinematography by | Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley | Editing by | Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras | Red One MX Camera, Red Scarlet Camera
Lenses | Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Survivors (2008)
| Cinematography by | Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky | Editing by | David Rees, David Barrett, Steve Singleton, Tim Marchant, Beverley Mills, Roy Sharman
Cameras | ARRIFLEX Camera, ARRIFLEX D-21 Camera
Lenses | ARRI Lenses
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Sanatorium (2013)
Directed by | Brant Sersen | Cinematography by | Daniel Sharnoff | Editing by | Chris Lechler
Cameras | Canon EOS-7D Camera, Canon VIXIA HF10 Camera, GoPro HD Hero2 Camera, Sony Other Camera, Sony PMW-EX1 Camera
Leverage (2008)
| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson
Kvadrat (2013)
Directed by | Anatoly K. Ivanov | Cinematography by | Anatoly K. Ivanov | Editing by | Anatoly K. Ivanov
Cameras | Canon EOS-1D Mark IV Camera
Lenses | Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon EF Series Lenses
