Color | 3927 Titles
Maestro (2014)
Directed by | Léa Fazer | Cinematography by | Lucas Leconte | Editing by | Jean-François Elie
Cameras | ARRI ALEXA Camera
Party Girl (2014)
Directed by | Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis | Cinematography by | Julien Poupard | Editing by | Frédéric Baillehaiche
Cameras | Red Epic Camera
24 Days (2014)
Directed by | Alexandre Arcady | Cinematography by | Gilles Henry | Editing by | Manuel De Sousa
Cameras | ARRI ALEXA Camera
Anything for Alice (2014)
Directed by | Nicolas Cuche | Cinematography by | Guillaume Deffontaines | Editing by | Thierry Rouden
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Les trois frères, le retour (2014)
Directed by | Didier Bourdon, Bernard Campan, Pascal Légitimus | Cinematography by | Pascal Caubère | Editing by | Jeanne Kef
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
The Chef’s Wife (2014)
Directed by | Anne Le Ny | Cinematography by | Jérôme Alméras | Editing by | Guerric Catala
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses
Tsunami (2015)
Directed by | Jacques Deschamps | Cinematography by | Octávio Espírito Santo | Editing by | Luc Forveille
The Salvation (2014)
Directed by | Kristian Levring | Cinematography by | Jens Schlosser | Editing by | Pernille Bech Christensen
Cameras | ARRI ALEXA Plus Camera
Ablations (2014)
Directed by | Arnold de Parscau | Cinematography by | François Catonné | Editing by | Pascale Chavance
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Les Homosapiennes (2015)
Directed by | Tony Borden, Brendan Ferrer | Cinematography by | Aaron Wesner | Editing by | Tony Borden, Brendan Ferrer
Les vacances du petit Nicolas (2014)
Directed by | Laurent Tirard | Cinematography by | Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses
Lou! Journal infime (2014)
Directed by | Julien Neel | Cinematography by | Pierre Milon | Editing by | Yannick Kergoat
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses
On a marché sur Bangkok (2014)
Directed by | Olivier Baroux | Cinematography by | Régis Blondeau | Editing by | Christophe Pinel
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
3 coeurs (2014)
Directed by | Benoît Jacquot | Cinematography by | Julien Hirsch | Editing by | Julia Gregory
Cameras | ARRI ALEXA Camera
Bon rétablissement ! (2014)
Directed by | Jean Becker | Cinematography by | Jean-Claude Larrieu | Editing by | Franck Nakache, Jacques Witta
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Maintenant ou jamais (2014)
Directed by | Serge Frydman | Cinematography by | Pierre-Hugues Galien | Editing by | Céline Kélépikis
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Open Heart (2013)
Directed by | Kief Davidson | Cinematography by | Zak Mulligan | Editing by | Kief Davidson, Flavia de Souza
Mondays at Racine (2012)
Directed by | Cynthia Wade | Cinematography by | David Teague, Cynthia Wade | Editing by | David Teague
Kings Point (2012)
Directed by | Sari Gilman | Cinematography by | Daniel B. Gold, Gabriel Miller, Toby Oppenheimer | Editing by | Jeffrey Friedman
