4096 x 2160 - (1.90:1) Capture Resolution | 34 Titles
Je Bent Al Hier (2024)
Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz
Cameras | Sony ILME-FX3 Camera
The Feather (2024)
Directed by | James Newhook | Cinematography by | James Newhook | Editing by | James Newhook
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Canon EF Series Lenses
Roses. Film-Cabaret (2021)
Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin
Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens
Verwaant (2023)
Directed by | Syb Faes | Cinematography by | Bregje Pontzen | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema 4K Camera
Instorten (2022)
Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg
Cameras | Blackmagic Pocket Cinema 4K Camera
Control Delete (2024)
Directed by | Kris van Melle | Cinematography by | Britt Adriaansen | Editing by | Keno Aladjuz
Cameras | Blackmagic URSA Camera
Fifth Story (2024)
Directed by | Maxance Louvety | Cinematography by | Enzo Kristensen | Editing by | Sam Kun
Lenses | Canon EF 100mm f/2.8L Macro Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens, KMZ Helio 44-2 58 mm f2 Lens, KMZ Helios 44 58 mm f1.2, Laowa 24 mm f/14 2X Macro Probe Lens, Lensbaby Composer Pro II + Sweet 35 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Sigma 105mm f2.8 EX DG OS HSM Macro Lens, Sigma 35mm f1.4 DG HSM Lens, Sony FE 24mm F1.4 G Master Series Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
The Little Church That Could (2022)
Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
The Protectors (2020)
The End of the Dial (2021)
Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley
Cameras | Sony PXW-FS9 Camera
Gift from Above (2021)
Directed by | James Newhook | Cinematography by | Nick Duncan | Editing by | James Newhook
Cameras | Blackmagic Production 4K Camera
Lady at Number 16 (2022)
Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
Rounded Corners (2019)
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
Eventual (2023)
Christopher Roth (2010)
Directed by | Maxime Alexandre | Cinematography by | Maxime Alexandre
Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
A Teen Movie (2022)
The Protectors (2020)
Killers Within (2018)
Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham
Cameras | Sony PXW-FS7 Camera
Adjuration (2019)
