16 bit Audio | 37 Titles
Gyani Maiya (2019)
Directed by | Subhashish Panigrahi | Cinematography by | Subhashish Panigrahi | Editing by | Subhashish Panigrahi
Cameras | Canon Cameras, Nikon Cameras
Roses. Film-Cabaret (2021)
Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin
Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens
The Dinosaur Hour Extra (2023)
Directed by | Sidney Berthier | Cinematography by | Alasdair Tallentire | Editing by | Sidney Berthier
Cameras | Sony ILME-FX6 Camera, Sony α7 Series Cameras
Lenses | Sony G Master Series Lenses
Burma Road – Flying Tigers (2015)
Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun
Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens
The Protectors (2020)
2030 (2024)
Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau
Cameras | ARRI ALEXA Plus Camera
Lenses | Red Pro Zoom 18-85 mm T2.9 Lens
The Dinosaur Hour (2023)
| Editing by | Ivan Greyling, Audrey Heaton, Evelin Longo, Roberta Spinicci, Alexander Webb, Sidney Berthier
Cameras | ARRI AMIRA Camera
Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens
DEC Ukraine Humanitarian Appeal (2022)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Sony α7 Series Cameras
Lenses | Sony G Master Series Lenses
Sya (2018)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier, Marie Paice
Cameras | Blackmagic Pocket Cinema Camera
Just My Imagination (2017)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
The Story of Yuvraj and Shahajahan (2024)
Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Yogesh Bhagwat
Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera
Lenses | Samyang Lenses
She’s So Cold (2016)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
Blood Cell (2019)
Directed by | Daniel Sowter | Cinematography by | Sidney Berthier | Editing by | Daniel Sowter
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
Koschei the Deathless (2020)
Directed by | Sidney Berthier | Cinematography by | Matt Tallant | Editing by | Sidney Berthier, Anna Carey
They Love (2014)
Directed by | Daniel Sowter | Cinematography by | Mat Dean | Editing by | Marie Paice
Cameras | Sony HDR-FX1 Camera
Her Satanic Majesty (2016)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Cameras | Blackmagic Pocket Cinema Camera
Angie Lemaire (2019)
Directed by | Sidney Berthier | Cinematography by | Danielius Gedvilas | Editing by | Sidney Berthier, Sarah Cowan, Kiana Rad
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses
French Story (2024)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Lenses | Zeiss Jena Lens
Le militaire (2014)
Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski
Cameras | Aaton XTR Prod Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Divergence (2007)
Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead
Lenses | ARRI / Fujinon Lenses
