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Walt Disney Pictures | 28 Titles

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Beauty and the Beast (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz

Starring | Emma Watson, Dan Stevens, Luke Evans

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Leitz Summilux-C Series Lenses

Coco (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Lee Unkrich, Adrian Molina | Editing by | Steve Bloom, Lee Unkrich

Starring | Anthony Gonzalez, Gael García Bernal, Benjamin Bratt

The BFG (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Mark Rylance, Ruby Barnhill, Penelope Wilton

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

The Pacifier (2005)

Motion Picture | Color | 95 Minutes

The Pacifier | ShotOnWhat?

Directed by | Adam Shankman | Cinematography by | Peter James | Editing by | Christopher Greenbury

Starring | Vin Diesel, Brittany Snow, Max Thieriot, Brad Garrett

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Star Wars: Episode IX – The Rise of Skywalker (2019)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 141 Minutes

Directed by | J.J. Abrams | Cinematography by | Dan Mindel | Editing by | Maryann Brandon, Stefan Grube

Starring | Daisy Ridley, John Boyega, Oscar Isaac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Star Wars: Episode VIII – The Last Jedi (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 152 Minutes

Black Panther: Wakanda Forever (2022)

Motion Picture | 2D | 4K Project | Color | 1.90:1, 2.39:1 | 161 Minutes

Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver

Starring | Letitia Wright, Lupita Nyong'o, Danai Gurira

Cameras | Sony CineAlta VENICE Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Thor: Ragnarok (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron

Starring | Chris Hemsworth, Tom Hiddleston, Cate Blanchett

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

WALL·E (2008)

Motion Picture | 2D, 3D | Color | 2.39:1 | 98 Minutes

Directed by | Andrew Stanton | Cinematography by | Martin Rosenberg | Editing by | Stephen Schaffer

Starring | Ben Burtt, Elissa Knight, Jeff Garlin, Fred Willard

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 1.90:1, 2.39:1 | 129 Minutes

Directed by | Joachim Rønning, Espen Sandberg | Cinematography by | Paul Cameron | Editing by | Roger Barton, Leigh Folsom Boyd

Starring | Johnny Depp, Geoffrey Rush, Javier Bardem

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Primo Primes Spherical Lenses

Elemental (2023)

Motion Picture | 3D | Color | 1.85:1 | 101 Minutes

Directed by | Peter Sohn | Cinematography by | David Juan Bianchi, Jean-Claude Kalache | Editing by | Stephen Schaffer

Starring | Leah Lewis, Mamoudou Athie, Ronnie Del Carmen

Turning Red (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 100 Minutes

Directed by | Domee Shi | Cinematography by | Mahyar Abousaeedi, Jonathan Pytko | Editing by | Steve Bloom, Nicholas C. Smith

Starring | Rosalie Chiang, Sandra Oh, Ava Morse

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Black Panther (2018)

Motion Picture | 3D | 3.4K Project | Color | 1.90:1, 2.39:1 | 134 Minutes

Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Debbie Berman, Michael P. Shawver

Starring | Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Spooky Squad: Bigfoot’s Big Feat (2015)

TV Special | 2D | 4K Project | Color | 1.78:1 (16x9) |

Directed by | Nick Murphy, Paul Ritchey | Cinematography by | Gino Varisano

Starring | Corey Holland, Jacquie Baker, Dominic Moschitti

Cameras | Red Epic Dragon Camera

The Lion King (2019)

Motion Picture | 2D, 3D | 2K Project | Color | 118 Minutes

Directed by | Jon Favreau | Cinematography by | Caleb Deschanel | Editing by | Adam Gerstel, Mark Livolsi

Starring | Donald Glover, Beyoncé, Seth Rogen, Chiwetel Ejiofor

Cameras | ARRI ALEXA 65 Camera

Incredibles 2 (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 118 Minutes

Directed by | Brad Bird | Cinematography by | Mahyar Abousaeedi, Erik Smitt | Editing by | Stephen Schaffer

Starring | Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner

Pirates of the Caribbean: At World’s End (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 169 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Ralph Breaks the Internet (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Phil Johnston, Rich Moore | Cinematography by | Nathan Warner | Editing by | Jeremy Milton, Fabienne Rawley

Starring | John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson

Toy Story 4 (2019)

Motion Picture | 3D | 4K Project | Color | 2.39:1 | 100 Minutes

Directed by | Josh Cooley | Cinematography by | Jean-Claude Kalache, Patrick Lin | Editing by | Axel Geddes

Starring | Tom Hanks, Tim Allen, Annie Potts, Tony Hale

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