Motion Picture | 11129 Titles
Madeline (1998)
The Stupids (1996)
Alms, You Say (2007)
Directed by | Christopher Malinowski | Cinematography by | Adam Broomfield | Editing by | Christopher Malinowski, Ben Whitten
Wong Fei Hung (1991)
Directed by | Hark Tsui | Cinematography by | Tung-Chuen Chan, Wilson Chan, David Chung, Ardy Lam, Arthur Wong, Bill Wong | Editing by | Marco Mak
Born Yesterday (1993)
Directed by | Luis Mandoki | Cinematography by | Lajos Koltai | Editing by | Lesley Walker
Cameras | ARRIFLEX Camera
Tinker Tailor Soldier Spy (2011)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Dino Jonsäter
Cameras | Panavision Panaflex Millennium Camera
Kika (1993)
Midnight (2006)
Les femmes… ou les enfants d’abord… (2002)
Directed by | Manuel Poirier | Cinematography by | Christophe Beaucarne | Editing by | Joël Jacovella
Chasing Ghosts (2005)
Directed by | Kyle Dean Jackson, Alan Pao | Cinematography by | Andrew Huebscher | Editing by | Kyle Dean Jackson
Paper Clips (2004)
Directed by | Elliot Berlin, Joe Fab | Cinematography by | Michael Marton | Editing by | Julia Dixon-Eddy
Kicking & Screaming (2005)
Directed by | Jesse Dylan | Cinematography by | Lloyd Ahern II | Editing by | Stuart H. Pappé, Peter Teschner
House of the Dead (2003)
Cop Land (1997)
All or Nothing (2002)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Lesley Walker
Lenses | Angenieux Lenses, Zeiss Lenses
Apocalypto (2006)
Directed by | Mel Gibson | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera
Kiss of the Dragon (2001)
Vera Drake (2004)
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jim Clark
Cameras | Aaton XTR Prod Camera
Lenses | Cooke S4 Lenses
Gloomy Sunday (1999)
The Pleasure of Being Robbed (2008)
Directed by | Josh Safdie | Cinematography by | Brett Jutkiewicz, Josh Safdie | Editing by | Brett Jutkiewicz, Benny Safdie, Josh Safdie
























































