Digital Effects: 3D Editing System Designer
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Digital Systems Engineer
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Digital Systems Engineer
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Digital Systems Engineer
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Systems Engineer
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Digital Effects Engineer
'Buffy the Vampire Slayer' Unaired Pilot (2003)
Directed by: Joss Whedon
Cinematography by: Donald M. Morgan
Digital Effects Engineer - 13 Episodes, 1997-2003
Buffy the Vampire Slayer (1997)
Directed by: Joss Whedon, James A. Contner, David Solomon, David Grossman, Michael Gershman, Bruce Seth Green, Nick Marck, James Whitmore Jr., David Greenwalt, David Semel, Michael Lange, Douglas Petrie, John T. Kretchmer, Ellen S. Pressman, Daniel Attias, Marti Noxon, David Fury, Rick Rosenthal, Marita Grabiak, Reza Badiyi, Scott Brazil, Stephen Cragg, Stephen L. Posey, Charles Martin Smith, Deran Sarafian, Tucker Gates, Regis Kimble, Christopher Hibler, Turi Meyer, Alan J. Levi, Bill Norton, Michael Grossman
Cinematography by: Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan
Edited by: Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses: Panavision Lenses
Digital Effects Engineer
'Buffy the Vampire Slayer' Prophecy Girl (1997)
Directed by: Joss Whedon
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Digital Effects Engineer
'Buffy the Vampire Slayer' Out of Mind, Out of Sight (1997)
Directed by: Reza Badiyi
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Digital Effects Engineer
'Buffy the Vampire Slayer' The Puppet Show (1997)
Directed by: Ellen S. Pressman
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Digital Effects Engineer
'Buffy the Vampire Slayer' Nightmares (1997)
Directed by: Bruce Seth Green
Cinematography by: Michael Gershman
Edited by: Geoffrey Rowland
Digital Effects Engineer
'Buffy the Vampire Slayer' Angel (1997)
Directed by: Scott Brazil
Cinematography by: Michael Gershman
Edited by: Geoffrey Rowland
Digital Effects Engineer
'Buffy the Vampire Slayer' I, Robot... You, Jane (1997)
Directed by: Stephen L. Posey
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Digital Effects Engineer
'Buffy the Vampire Slayer' The Pack (1997)
Directed by: Bruce Seth Green
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Digital Effects Engineer
'Buffy the Vampire Slayer' Teacher's Pet (1997)
Directed by: Bruce Seth Green
Cinematography by: Michael Gershman
Edited by: Geoffrey Rowland
Digital Effects Engineer
'Buffy the Vampire Slayer' Never Kill a Boy on the First Date (1997)
Directed by: David Semel
Cinematography by: Michael Gershman
Edited by: Skip Macdonald
Digital Effects Engineer
'Buffy the Vampire Slayer' Witch (1997)
Directed by: Stephen Cragg
Cinematography by: Michael Gershman
Edited by: Regis Kimble
Digital Effects Engineer
'Buffy the Vampire Slayer' The Harvest (1997)
Directed by: John T. Kretchmer
Cinematography by: Michael Gershman
Edited by: Skip Schoolnik
Digital Effects Engineer
'Buffy the Vampire Slayer' Welcome to the Hellmouth (1997)
Cinematography by: Michael Gershman
Edited by: Geoffrey Rowland
Digital Effects Engineer
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Digital Systems Engineer
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
