Cyberscanning Manager
'Monarch: Legacy of Monsters' Episode #1.10 (2024)
Directed by: Andy Goddard
Edited by: Joe Talbot Hall
Cyberscanning Manager
'Monarch: Legacy of Monsters' Episode #1.6 (2023)
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Cyberscanning Manager
'Monarch: Legacy of Monsters' Aftermath (2023)
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Cyberscanning Manager
'Monarch: Legacy of Monsters' Parallels and Interiors (2023)
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Cyberscanning Manager
'Monarch: Legacy of Monsters' Departure (2023)
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Cyberscanning Manager
'Monarch: Legacy of Monsters' Secrets and Lies (2023)
Directed by: Julian Holmes
Cinematography by: Jean-Philippe Gossart
Edited by: Emily Streetz
Cyberscanning Manager
'Monarch: Legacy of Monsters' Episode #1.7 (2023)
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Cyberscanning Manager
'Monarch: Legacy of Monsters' The Way Out (2023)
Directed by: Mairzee Almas
Edited by: Joe Talbot Hall
Cyberscanning Manager
'Monarch: Legacy of Monsters' Episode #1.8 (2023)
Directed by: Hiromi Kamata
Edited by: Mark Hartzell
Motion Capture Specialist
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
LiDAR Technician
1917 (2019)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Lee Smith
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens
Editing System: Avid Editing System
Motion Capture Specialist
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Motion Capture Specialist
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Visual Effects Motion Capture Specialist
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Motion Capture Specialist
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Motion Capture Specialist
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Motion Capture Specialist
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Motion Capture Specialist
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Motion Capture Specialist
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Motion Capture Specialist
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Motion Capture Specialist
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
