Vfx Supervisor: Nozon
The Happy Prince (2018)
Directed by: Rupert Everett
Cinematography by: John Conroy
Edited by: Nicolas Gaster
Lead Digital Compositor
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Lead Digital Compositor
The Transporter Refueled (2015)
Directed by: Camille Delamarre
Edited by: Julien Rey
Cameras: ARRI ALEXA Camera
Digital Compositor
100% cachemire (2013)
Directed by: Valérie Lemercier
Cinematography by: Denis Lenoir
Edited by: Célia Lafitedupont
Cameras: ARRI ALEXA Studio Camera
Lead Compositor
Casse-tête chinois (2013)
Directed by: Cédric Klapisch
Cinematography by: Natasha Braier
Edited by: Anne-Sophie Bion
Digital Compositor
L'écume des jours (2013)
Directed by: Michel Gondry
Cinematography by: Christophe Beaucarne
Edited by: Marie-Charlotte Moreau
Cameras: Red Epic Camera
Digital Compositor
À perdre la raison (2012)
Directed by: Joachim Lafosse
Cinematography by: Jean-François Hensgens
Edited by: Sophie Vercruysse
Digital Compositor
Rust and Bone (2012)
Directed by: Jacques Audiard
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Red Epic Camera
Digital Compositor
Main dans la main (2012)
Directed by: Valérie Donzelli
Cinematography by: Sébastien Buchmann
Edited by: Pauline Gaillard
Cameras: ARRI ALEXA Camera
Digital Compositor
Mais qui a re-tué Pamela Rose? (2012)
Cinematography by: Régis Blondeau
Edited by: Elodie Codaccioni
Cameras: ARRI ALEXA Camera
Digital Compositor
L'amour dure trois ans (2011)
Directed by: Frédéric Beigbeder
Cinematography by: Yves Cape
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Lenses
Digital Compositor
Valparaiso (2011)
Directed by: Jean-Christophe Delpias
Cinematography by: Laurent Machuel
Edited by: Thaddée Bertrand
Digital Compositor
Mon pire cauchemar (2011)
Directed by: Anne Fontaine
Cinematography by: Jean-Marc Fabre
Digital Compositor
Largo Winch II (2011)
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Stan Collet
