Digital Colorist
The Babysitter (2017)
Directed by: McG
Cinematography by: Shane Hurlbut
Cameras: Red Weapon Dragon Camera
Final Colorist
'Pretty Little Liars' Til DeAth Do Us PArt (2017)
Directed by: I. Marlene King
Cinematography by: Larry Reibman
Edited by: Jill D'Agnenica
Final Colorist
'Pretty Little Liars' Farewell, My Lovely (2017)
Directed by: Joseph Dougherty
Cinematography by: Larry Reibman
Edited by: Robert Lattanzio
Final Colorist
'Pretty Little Liars' Choose or Lose (2017)
Directed by: Norman Buckley
Cinematography by: Larry Reibman
Edited by: Melissa Gearhart
Final Colorist
'Pretty Little Liars' Driving Miss Crazy (2017)
Directed by: Oliver Goldstick
Cinematography by: Larry Reibman
Edited by: Jill D'Agnenica
Final Colorist
'Pretty Little Liars' The Glove That Rocks the Cradle (2017)
Directed by: Paula Hunziker
Edited by: Robert Lattanzio
Final Colorist
'Pretty Little Liars' In the Eye Abides the Heart (2017)
Directed by: Troian Bellisario
Cinematography by: Craig Fikse
Edited by: Melissa Gearhart
Final Colorist
'Pretty Little Liars' Power Play (2017)
Directed by: Roger Kumble
Cinematography by: Craig Fikse
Edited by: Jill D'Agnenica
Final Colorist
'Pretty Little Liars' These Boots Were Made for Stalking (2017)
Directed by: Ron Lagomarsino
Cinematography by: Craig Fikse
Edited by: Melissa Gearhart
Final Colorist
'Pretty Little Liars' Hold Your Piece (2017)
Directed by: Marta Cunningham
Cinematography by: Craig Fikse
Edited by: Robert Lattanzio
Final Colorist
'Pretty Little Liars' Playtime (2017)
Directed by: Chad Lowe
Cinematography by: Craig Fikse
Edited by: Jill D'Agnenica
Digital Colorist
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Digital Colorist: Colorworks
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Digital Colorist
O Tempo e o Vento (2013)
Directed by: Jayme Monjardim
Cinematography by: Affonso Beato
Edited by: Gustavo Giani
Cameras: Sony CineAlta F65 Camera
Digital Colorist
Sparkle (2012)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA Plus Camera
Digital Colorist
That's My Boy (2012)
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Digital Colorist
21 Jump Street (2012)
Cinematography by: Barry Peterson
Edited by: Joel Negron
Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera
Digital Colorist
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Digital Intermediate Colorist
The Baytown Outlaws (2012)
Directed by: Barry Battles
Cinematography by: David McFarland
Edited by: Sean Valla
Cameras: Red One Camera
Digital Intermediate Colorist
Jumping the Broom (2011)
Directed by: Salim Akil
Cinematography by: Anastas N. Michos
Edited by: Terilyn A. Shropshire
Cameras: Sony CineAlta F35 Camera
Digital Colorist
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Digital Colorist
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Digital Colorist
Friends with Benefits (2011)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Final Colorist - 10 Episodes, 2017
Pretty Little Liars (2010)
Directed by: Norman Buckley, Ron Lagomarsino, Chad Lowe, Arlene Sanford, Michael Grossman, Melanie Mayron, I. Marlene King, Wendey Stanzler, Chris Grismer, Roger Kumble, Zetna Fuentes, Patrick R. Norris, Arthur Anderson, Joanna Kerns, Oliver Goldstick, Joseph Dougherty, Lesli Linka Glatter, Elodie Keene, Janice Cooke, Bethany Rooney, Tripp Reed, Larry Reibman, Paula Hunziker, Kimberly McCullough, Jamie Babbit, Liz Friedlander, Dana Gonzales, Paul Lazarus, J. Miller Tobin, Dean White, Tim Hunter, Mick Garris, Joshua Butler, Nzingha Stewart, Michael Goi, Tawnia McKiernan, Troian Bellisario, Marta Cunningham
Cinematography by: Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley
Edited by: Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras: Red One MX Camera, Red Scarlet Camera
Lenses: Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Avid Editing System
Digital Colorist
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Digital Colorist
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Digital Colorist
She's Out of My League (2010)
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Digital Colorist
Paul Blart: Mall Cop (2009)
Directed by: Steve Carr
Cinematography by: Russ T. Alsobrook
Edited by: Jeff Freeman
Cameras: Panavision Genesis Camera
Digital Colorist
I Love You, Man (2009)
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Digital Colorist
Shorts (2009)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: Panavision Genesis Camera
Digital Colorist
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Digital Colorist
Step Brothers (2008)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Digital Colorist
Chaos Theory (2008)
Directed by: Marcos Siega
Cinematography by: Ramsey Nickell
Edited by: Nicholas Erasmus
Digital Film Colorist
Forgetting Sarah Marshall (2008)
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Colorist
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Digital Colorist
Made of Honor (2008)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Digital Colorist
The House Bunny (2008)
Directed by: Fred Wolf
Cinematography by: Shelly Johnson
Edited by: Debra Chiate
Cameras: Panavision Genesis Camera
Digital Colorist: Technicolor
Starting Out in the Evening (2007)
Directed by: Andrew Wagner
Cinematography by: Harlan Bosmajian
Edited by: Gena Bleier
Digital Colorist
Superbad (2007)
Directed by: Greg Mottola
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Phantom HD Camera
Editing System: Avid Editing System
Digital Colorist
Walk Hard: The Dewey Cox Story (2007)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Digital Film Colorist
Next (2007)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Digital Colorist
The Pursuit of Happyness (2006)
Directed by: Gabriele Muccino
Cinematography by: Phedon Papamichael
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Color Timer: Post Logic Cinema Digital
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Digital Colorist
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Color Timer
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
