Jennifer Lynn Tremblay

13 Titles

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The Holdovers | ShotOnWhat?

Costumer

The Holdovers (2023)

Directed by: Alexander Payne

Cinematography by: Eigil Bryld

Edited by: Kevin Tent

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision H Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

CODA | ShotOnWhat?

Assistant Costume Designer

CODA (2021)

Directed by: Sian Heder

Cinematography by: Paula Huidobro

Edited by: Geraud Brisson

Cameras: Sony CineAlta VENICE Camera

Lenses: ARRI Signature Prime Lenses

Measure of a Man | ShotOnWhat?

Tailor

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Slender Man | ShotOnWhat?

Assistant Costume Designer

Slender Man (2018)

Directed by: Sylvain White

Cinematography by: Luca Del Puppo

Edited by: Jake York

Cameras: Sony PMW-F55 Camera, Sony α7S II Camera

Lenses: Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

The Finest Hours | ShotOnWhat?

Stitcher

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Ghostbusters | ShotOnWhat?

Stitcher

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Manchester by the Sea | ShotOnWhat?

Stitcher

Manchester by the Sea (2016)

Directed by: Kenneth Lonergan

Cinematography by: Jody Lee Lipes

Edited by: Jennifer Lame

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Lenses, Canon K35 Prime Lenses

Live by Night | ShotOnWhat?

Costumer / Stitcher

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

Joy | ShotOnWhat?

Tailor

Joy (2015)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Ted 2 | ShotOnWhat?

Key Tailor

Ted 2 (2015)

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Sex Tape | ShotOnWhat?

Set Costumer, Set Decoration Stitcher

Sex Tape (2014)

Directed by: Jake Kasdan

Cinematography by: Tim Suhrstedt

Edited by: Steve Edwards, Tara Timpone

Cameras: ARRI ALEXA XT Camera

The Equalizer | ShotOnWhat?

Set Decoration Stitcher

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Private Lives of Pippa Lee | ShotOnWhat?

Costume Intern

The Private Lives of Pippa Lee (2009)

Directed by: Rebecca Miller

Cinematography by: Declan Quinn

Edited by: Sabine Hoffman

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