Rodney Musso

21 Titles

Is this you? Add a Profile

3 Days to Kill | ShotOnWhat?

Assistant Colorist

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Brick Mansions | ShotOnWhat?

Assistant Colorist

Brick Mansions (2014)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

Les invincibles | ShotOnWhat?

Assistant Colorist

Les invincibles (2013)

Directed by: Frédéric Berthe

Cinematography by: David Quesemand

Edited by: Vanessa Basté, Hugues Darmois, Stéphane Garnier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Lenses

Collision | ShotOnWhat?

Assistant Colorist

Collision (2013)

Directed by: David Marconi

Cinematography by: Thomas Hardmeier

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

20 ans d'écart | ShotOnWhat?

Assistant Colorist

20 ans d'écart (2013)

Directed by: David Moreau

Cinematography by: Laurent Tangy

Edited by: Cyril Besnard

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Family | ShotOnWhat?

Assistant Colorist

The Family (2013)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

L'homme qui rit | ShotOnWhat?

Assistant Colorist

L'homme qui rit (2012)

Directed by: Jean-Pierre Améris

Cinematography by: Gérard Simon

Edited by: Philippe Bourgueil

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Lockout | ShotOnWhat?

Assistant Colorist

Lockout (2012)

Directed by: James Mather, Steve Saint Leger

Cinematography by: James Mather

Edited by: Camille Delamarre, Eamonn Power

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Taken 2 | ShotOnWhat?

Assistant Colorist

Taken 2 (2012)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre, Vincent Tabaillon

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Colombiana | ShotOnWhat?

Assistant Colorist

Colombiana (2011)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Lady | ShotOnWhat?

Assistant Colorist

The Lady (2011)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Un baiser papillon | ShotOnWhat?

Assistant Colorist

Un baiser papillon (2011)

Directed by: Karine Silla

Cinematography by: Thomas Hardmeier

Edited by: Anny Danché

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses

Arthur 3: la guerre des deux mondes | ShotOnWhat?

Assistant Colorist: Digital Factory

Arthur 3: la guerre des deux mondes (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

From Paris with Love | ShotOnWhat?

Assistant Colorist: Digital Factory

From Paris with Love (2010)

Directed by: Pierre Morel

Cinematography by: Michel Abramowicz

Edited by: Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Panavision Primo Anamorphic Lenses

Coursier | ShotOnWhat?

Assistant Colorist: Digital Factory

Coursier (2010)

Directed by: Hervé Renoh

Cinematography by: Vincent Muller

Edited by: Jean de Garrigues, Stéphane Garnier

L'homme qui voulait vivre sa vie | ShotOnWhat?

Assistant Colorist: Digital Factory

L'homme qui voulait vivre sa vie (2010)

Directed by: Eric Lartigau

Cinematography by: Laurent Dailland

Edited by: Stéphane Garnier, Juliette Welfling

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Assistant Colorist: Digital Factory

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

L'immortel | ShotOnWhat?

Assistant Colorist: Digital Factory

L'immortel (2010)

Directed by: Richard Berry

Cinematography by: Thomas Hardmeier

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Home | ShotOnWhat?

Assistant Colorist: Digital Factory

Home (2009)

Directed by: Yann Arthus-Bertrand

Cinematography by: Michel Benjamin, Dominique Gentil

Edited by: Yen Le Van

Cameras: Cineflex V14HD Camera

Transporter 3 | ShotOnWhat?

Assistant Colorist: Digital Factory

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Arthur and the Invisibles | ShotOnWhat?

Lustre Assistant: Digital Factory

Arthur and the Invisibles (2006)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Karim Benhammouda, Yann Hervé, Vincent Tabaillon

©2012 - 2025 ShotOnWhat?

20254.20