Kil Won Yu

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Tenet | ShotOnWhat?

Set Designer

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

First Man | ShotOnWhat?

Set Designer

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

Spider-Man: Homecoming | ShotOnWhat?

Set Designer

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

The Hateful Eight | ShotOnWhat?

Assistant Art Director

The Hateful Eight (2015)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

The Last Stand | ShotOnWhat?

Art Department Assistant

The Last Stand (2013)

Directed by: Jee-woon Kim

Cinematography by: Ji-yong Kim

Edited by: Steven Kemper

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

The Call | ShotOnWhat?

Art Department Assistant

The Call (2013)

Directed by: Brad Anderson

Cinematography by: Thomas Yatsko

Edited by: Avi Youabian

Cameras: ARRI ALEXA Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses

The Ghastly Love of Johnny X | ShotOnWhat?

Assistant Art Director

The Ghastly Love of Johnny X (2012)

Directed by: Paul Bunnell

Cinematography by: Francisco Bulgarelli

Edited by: Russell Harnden III

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Hawk C-Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Bunglers | ShotOnWhat?

Art Director

The Bunglers (2012)

Directed by: Glenn Camhi

Cinematography by: Stephan Dalyai

Edited by: Glenn Camhi

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Ultra Prime Lenses

Thule | ShotOnWhat?

Miniature Landscape / Miniature Painter

Thule (2011)

Directed by: Robert Scott Wildes

Cinematography by: Timothy Nuttall

Edited by: Simon Carmody

Cameras: Panavision Cameras

Apocalypse According to Doris | ShotOnWhat?

Construction Coordinator

Apocalypse According to Doris (2011)

Directed by: Victor Goss

Cinematography by: Richard Walden

Edited by: Richard Mann

Cameras: Red Digital Cinema Cameras

Editing System: Final Cut Pro Editing System

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