Santiago Martin Medina

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Straight Outta Compton | ShotOnWhat?

Composer: Additional Music

Straight Outta Compton (2015)

Directed by: F. Gary Gray

Cinematography by: Matthew Libatique

Edited by: Billy Fox, Michael Tronick

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Cooke Anamorphic/i Prime Lenses, Fujinon Alura Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Focus | ShotOnWhat?

Composer: Additional Music

Focus (2015)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

A Good Day to Die Hard | ShotOnWhat?

Sound Engineer - Press Junket

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Hangover Part III | ShotOnWhat?

Music Publisher

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Chronicle | ShotOnWhat?

Sound Engineer - Press Junket

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Parental Guidance | ShotOnWhat?

Sound Engineer - Press Junket

Parental Guidance (2012)

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Water for Elephants | ShotOnWhat?

Sound Engineer - Press Junket

Water for Elephants (2011)

Directed by: Francis Lawrence

Cinematography by: Rodrigo Prieto

Edited by: Alan Edward Bell

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Crazy, Stupid, Love. | ShotOnWhat?

Composer: Additional Music

Crazy, Stupid, Love. (2011)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The A-Team | ShotOnWhat?

Sound Engineer - Press Junket

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mother and Child | ShotOnWhat?

Composer: Additional Music

Mother and Child (2009)

Directed by: Rodrigo García

Cinematography by: Xavier Grobet

Edited by: Steven Weisberg

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