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West Side Story | ShotOnWhat?

Set Decoration Buyer

West Side Story (2021)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Bronze | ShotOnWhat?

Set Decorator

The Bronze (2015)

Directed by: Bryan Buckley

Cinematography by: Scott Henriksen

Edited by: Jay Nelson

Cameras: Red Epic Camera

Captain America: The Winter Soldier | ShotOnWhat?

Set Decoration Buyer: Cleveland

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

A Most Violent Year | ShotOnWhat?

Set Dresser

A Most Violent Year (2014)

Directed by: J.C. Chandor

Cinematography by: Bradford Young

Edited by: Ron Patane

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Admission | ShotOnWhat?

Set Dresser

Admission (2013)

Directed by: Paul Weitz

Cinematography by: Declan Quinn

Edited by: Joan Sobel

Cameras: ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Man on a Ledge | ShotOnWhat?

Shop Lead

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Alex Cross | ShotOnWhat?

Buyer

Alex Cross (2012)

Directed by: Rob Cohen

Cinematography by: Ricardo Della Rosa

Edited by: Matthew Diezel, Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

The Sorcerer's Apprentice | ShotOnWhat?

Set Dresser

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Other Guys | ShotOnWhat?

Set Dresser

The Other Guys (2010)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

I Am Legend | ShotOnWhat?

Set Dresser

I Am Legend (2007)

Directed by: Francis Lawrence

Cinematography by: Andrew Lesnie

Edited by: Wayne Wahrman

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses

The Notorious Bettie Page | ShotOnWhat?

Set Dresser

The Notorious Bettie Page (2005)

Directed by: Mary Harron

Cinematography by: W. Mott Hupfel III

Edited by: Tricia Cooke

Safe Men | ShotOnWhat?

Art Assistant

Safe Men (1998)

Directed by: John Hamburg

Cinematography by: Michael Barrett

Edited by: Suzanne Pillsbury, M. Scott Smith

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