Jillian Longnecker

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Wounds | ShotOnWhat?

Executive Producer

Wounds (2019)

Directed by: Babak Anvari

Cinematography by: Kit Fraser

Edited by: Chris Barwell

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses

Booksmart | ShotOnWhat?

Executive Producer

Booksmart (2019)

Directed by: Olivia Wilde

Cinematography by: Jason McCormick

Edited by: Jamie Gross, Brent White

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision T Series Anamorphic Lenses

Vice | ShotOnWhat?

Executive Producer

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

The Ballad of Buster Scruggs | ShotOnWhat?

Executive Producer

The Ballad of Buster Scruggs (2018)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Bruno Delbonnel

Edited by: Ethan Coen, Joel Coen

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

If Beale Street Could Talk | ShotOnWhat?

Executive Producer

If Beale Street Could Talk (2018)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses

Phantom Thread | ShotOnWhat?

Head Of Physical Production: Annapurna Pictures

Phantom Thread (2017)

Directed by: Paul Thomas Anderson

Cinematography by: Paul Thomas Anderson

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Everybody Wants Some!! | ShotOnWhat?

Head Of Physical Production: Annapurna Pictures

Everybody Wants Some!! (2016)

Directed by: Richard Linklater

Cinematography by: Shane F. Kelly

Edited by: Sandra Adair

Cameras: ARRI ALEXA Camera

Sausage Party | ShotOnWhat?

Co-producer

Sausage Party (2016)

Directed by: Greg Tiernan, Conrad Vernon

Edited by: Kevin Pavlovic

A Walk Among the Tombstones | ShotOnWhat?

Co-producer

A Walk Among the Tombstones (2014)

Directed by: Scott Frank

Cinematography by: Mihai Malaimare Jr.

Edited by: Jill Savitt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Snitch | ShotOnWhat?

Co-producer

Snitch (2013)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Jonathan Chibnall

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

The Woman in Black | ShotOnWhat?

Vice President: Physical Production, Exclusive Media Group And Hammer

The Woman in Black (2012)

Directed by: James Watkins

Cinematography by: Tim Maurice-Jones

Edited by: Jon Harris

End of Watch | ShotOnWhat?

Co-producer

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Undefeated | ShotOnWhat?

Executive Producer

Undefeated (2011)

Directed by: Daniel Lindsay, T.J. Martin

Cinematography by: Daniel Lindsay, T.J. Martin

Edited by: Daniel Lindsay, T.J. Martin

Let Me In | ShotOnWhat?

Associate Producer: Exclusive Media Group And Hammer Films

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Way Back | ShotOnWhat?

Head Of Physical Production: Exclusive Media Group

The Way Back (2010)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

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