Dominique Fiore

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John Wick: Chapter 4 | ShotOnWhat?

Visual Effects Supervisor: One Of Us

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Pokémon Detective Pikachu | ShotOnWhat?

Compositing Supervisor: Framestore

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Grace of Monaco | ShotOnWhat?

Visual Effects Supervisor: UFX

Grace of Monaco (2014)

Directed by: Olivier Dahan

Cinematography by: Eric Gautier

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses

Mauvaise fille | ShotOnWhat?

Visual Effects Supervisor: Dame Blanche

Mauvaise fille (2012)

Directed by: Patrick Mille

Cinematography by: Jérôme Alméras

Edited by: Yann Dedet

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Digital Compositor: Double Negative

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Digital Compositor: Double Negative

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Scott Pilgrim vs. the World | ShotOnWhat?

2d Artist: Double Negative

Scott Pilgrim vs. the World (2010)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Sorcerer's Apprentice | ShotOnWhat?

Digital Compositor / Visual Effects: Double Negative

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Shanghai | ShotOnWhat?

Digital Compositor: Senate Visual Effects

Shanghai (2010)

Directed by: Mikael Håfström

Cinematography by: Benoît Delhomme

Edited by: Peter Boyle, Kevin Tent

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

From Time to Time | ShotOnWhat?

Digital Artist: The Senate VFX

From Time to Time (2009)

Directed by: Julian Fellowes

Cinematography by: Alan Almond

Edited by: John Wilson

Hellboy II: The Golden Army | ShotOnWhat?

Digital Artist: The Senate VFX

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Digital Artist: Escape / MPC

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

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