Marc Henry de Frahan

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Mandy | ShotOnWhat?

General Manager: Umedia

Mandy (2018)

Directed by: Panos Cosmatos

Cinematography by: Benjamin Loeb

Edited by: Brett W. Bachman, Paul Painter

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Studio Camera

Lenses: Angenieux HR Zoom Lenses, Panavision Primo Anamorphic Lenses

Skyscraper | ShotOnWhat?

Vfx General Manager: Umedia VFX

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Meg | ShotOnWhat?

Vfx General Manager: Umedia

The Meg (2018)

Directed by: Jon Turteltaub

Cinematography by: Tom Stern

Edited by: Steven Kemper, Kelly Matsumoto

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

Grace of Monaco | ShotOnWhat?

General Manager: UFX

Grace of Monaco (2014)

Directed by: Olivier Dahan

Cinematography by: Eric Gautier

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses

The Fifth Estate | ShotOnWhat?

General Manager: UFX

The Fifth Estate (2013)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Zeiss Master Prime Lenses

Des gens qui s'embrassent | ShotOnWhat?

General Manager: UFX

Des gens qui s'embrassent (2013)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

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