Joe Elvington

16 Titles

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Mission: Impossible III | ShotOnWhat?

Set Laborer

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

xXx: State of the Union | ShotOnWhat?

Set Laborer

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Master and Commander: The Far Side of the World | ShotOnWhat?

Laborer

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Country Bears | ShotOnWhat?

Set Laborer

The Country Bears (2002)

Directed by: Peter Hastings

Cinematography by: Mitchell Amundsen

Edited by: George Bowers, Seth Flaum

Mulholland Dr. | ShotOnWhat?

Labor Foreman

Mulholland Dr. (2001)

Directed by: David Lynch

Cinematography by: Peter Deming

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Austin Powers: The Spy Who Shagged Me | ShotOnWhat?

Set Laborer

Austin Powers: The Spy Who Shagged Me (1999)

Directed by: Jay Roach

Cinematography by: Ueli Steiger

Edited by: Debra Neil-Fisher, Jon Poll

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The 13th Warrior | ShotOnWhat?

Labor Foreman: Reshoot

The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Life | ShotOnWhat?

Set Laborer

Life (1999)

Directed by: Ted Demme

Cinematography by: Geoffrey Simpson

Edited by: Jeffrey Wolf

A Civil Action | ShotOnWhat?

Labor Foreman: Reshoot

A Civil Action (1998)

Directed by: Steven Zaillian

Cinematography by: Conrad L. Hall

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Mask of Zorro | ShotOnWhat?

Set Laborer: Reshoot

The Mask of Zorro (1998)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Cooke Lenses

The Odd Couple II | ShotOnWhat?

Set Laborer

The Odd Couple II (1998)

Directed by: Howard Deutch

Cinematography by: Jamie Anderson

Edited by: Seth Flaum

Cameras: Panavision Cameras

Living Out Loud | ShotOnWhat?

Set Laborer

Living Out Loud (1998)

Directed by: Richard LaGravenese

Cinematography by: John Bailey

Edited by: Jon Gregory, Lynzee Klingman

Cameras: Panavision Cameras

Face/Off | ShotOnWhat?

Set Laborer

Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Father of the Bride Part II | ShotOnWhat?

Set Laborer

Father of the Bride Part II (1995)

Directed by: Charles Shyer

Cinematography by: Elliot Davis, William A. Fraker

Edited by: Adam Bernardi, Stephen A. Rotter

Stop! Or My Mom Will Shoot | ShotOnWhat?

Plasterer Laborer

Stop! Or My Mom Will Shoot (1992)

Directed by: Roger Spottiswoode

Cinematography by: Frank Tidy

Edited by: Mark Conte, Lois Freeman-Fox

Death Becomes Her | ShotOnWhat?

Plasterer Laborer

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

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