Zsolt Tolmár

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Terminator: Dark Fate | ShotOnWhat?

Floor Second Assistant Director

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Red Sparrow | ShotOnWhat?

Second Assistant Director: Hungary / 1st Assistant Director: Splinter Unit Hungary

Red Sparrow (2018)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Atomic Blonde | ShotOnWhat?

First Assistant Director: Second Unit Hungary / Second Assistant Director

Atomic Blonde (2017)

Directed by: David Leitch

Cinematography by: Jonathan Sela

Edited by: Elísabet Ronaldsdóttir

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Hawk V-Lite Vintage´74 Lens

Mudbound | ShotOnWhat?

Co-first Assistant Director: Hungary

Mudbound (2017)

Directed by: Dee Rees

Cinematography by: Rachel Morrison

Edited by: Mako Kamitsuna

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Don't Breathe | ShotOnWhat?

First Assistant Director

Don't Breathe (2016)

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Eric L. Beason, Louise Ford, Gardner Gould

Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Spy | ShotOnWhat?

Third Assistant Director: 2nd Unit

Spy (2015)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Hercules | ShotOnWhat?

Daily Assistant Director

Hercules (2014)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich, Julia Wong

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

47 Ronin | ShotOnWhat?

Additional Set Production Assistant

47 Ronin (2013)

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

In the Land of Blood and Honey | ShotOnWhat?

Set Production Assistant

In the Land of Blood and Honey (2011)

Directed by: Angelina Jolie

Cinematography by: Dean Semler

Edited by: Patricia Rommel

The Rite | ShotOnWhat?

Assistant Director

The Rite (2011)

Directed by: Mikael Håfström

Cinematography by: Ben Davis

Edited by: David Rosenbloom

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision G100 100 mm T2.6 Lens

The Nutcracker in 3D | ShotOnWhat?

Production Assistant

The Nutcracker in 3D (2010)

Directed by: Andrey Konchalovskiy

Cinematography by: Mike Southon

Edited by: Mathieu Bélanger, Andrew Glen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Good | ShotOnWhat?

Stand-in: Viggo Mortensen

Good (2008)

Directed by: Vicente Amorim

Cinematography by: Andrew Dunn

Edited by: John Wilson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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