Post-production Supervisor
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Post-production Supervisor
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Post Production Supervisor
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Post-production Supervisor
Timecop: The Berlin Decision (2003)
Directed by: Steve Boyum
Cinematography by: Crescenzo G.P. Notarile
Post-production Supervisor
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Post-production Supervisor
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Supervisor
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Post-production Manager
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Post-production Supervisor
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Post-production Supervisor
Big Fat Liar (2002)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Post-production Supervisor
American Pie 2 (2001)
Directed by: J.B. Rogers
Cinematography by: Mark Irwin
Cameras: Moviecam Compact Camera
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses
Post-production Supervisor
The House of Yes (1997)
Directed by: Mark Waters
Cinematography by: Michael Spiller
Edited by: Pamela Martin
