Producer - Produced By - P.g.a.
The Batman (2022)
Directed by: Matt Reeves
Cinematography by: Greig Fraser
Executive Producer
'The Wilds' Day 50/33 (2022)
Directed by: Aurora Guerrero
Cinematography by: Matt Toll
Executive Producer
'The Wilds' Day 46/26 (2022)
Directed by: Ben C. Lucas
Cinematography by: Rob Marsh
Edited by: Tuan Quoc Le
Executive Producer
'The Wilds' Day 45/16 (2022)
Directed by: Ben C. Lucas
Cinematography by: Rob Marsh
Edited by: Phillip J. Bartell
Executive Producer
'The Wilds' Day 42/15 (2022)
Directed by: Nima Nourizadeh
Cinematography by: Matt Toll
Edited by: Brad Katz
Executive Producer
'The Wilds' Day 36/14 (2022)
Directed by: Nima Nourizadeh
Cinematography by: Matt Toll
Edited by: Tuan Quoc Le
Executive Producer
'The Wilds' Day 34/12 (2022)
Directed by: Alison Maclean
Cinematography by: Rob Marsh
Edited by: Phillip J. Bartell
Executive Producer
'The Wilds' Day 30/1 (2022)
Directed by: Alison Maclean
Cinematography by: Rob Marsh
Executive Producer - 3 Episodes, 2020
The Wilds (2020)
Directed by: John Polson, Haifaa Al-Mansour, Susanna Fogel, Sydney Freeland, Alison Maclean, Cherie Nowlan, Tara Nicole Weyr, Ed Wild
Executive Producer
'The Wilds' Day One (2020)
Directed by: Susanna Fogel
Cinematography by: Ed Wild
Edited by: Sophie Corra
Executive Producer
'The Wilds' Day Two (2020)
Directed by: John Polson
Cinematography by: Ed Wild
Edited by: Sophie Corra
Executive Producer
'The Wilds' Day Six (2020)
Directed by: Cherie Nowlan
Cinematography by: Rob Marsh
Producer - Produced By
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Producer - Produced By - P.g.a.
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Producer
The Drop (2014)
Directed by: Michaël R. Roskam
Cinematography by: Nicolas Karakatsanis
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Producer
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Executive Producer
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Producer
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Producer
Parental Guidance (2012)
Directed by: Andy Fickman
Cinematography by: Dean Semler
Edited by: Kent Beyda
Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Producer
Rise of the Planet of the Apes (2011)
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Production Executive
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Assistant: Tracie Graham Rice & Victoria Nevinny
Phoenix (1998)
Directed by: Danny Cannon
Cinematography by: James L. Carter
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
