Set Production Assistant
'The Blacklist' Mako Tanida (No. 83) (2014)
Directed by: Michael W. Watkins
Edited by: Nathan Gunn
Set Production Assistant
'The Blacklist' Ivan (No. 88) (2014)
Directed by: Randy Zisk
Edited by: David Post
Set Production Assistant
'The Blacklist' Milton Bobbit (No. 135) (2014)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Set Production Assistant
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Set Production Assistant
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA XT Camera
Set Production Assistant
'The Blacklist' The Pavlovich Brothers (Nos. 119-122) (2014)
Directed by: Paul A. Edwards
Cinematography by: Arthur Albert
Set Production Assistant
'The Blacklist' Berlin (No. 8) (2014)
Directed by: Michael Zinberg
Edited by: Nathan Gunn
Set Production Assistant
'The Blacklist' Berlin (No. 8): Conclusion (2014)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Set Production Assistant
'The Blacklist' The Kingmaker (No. 42) (2014)
Directed by: Karen Gaviola
Cinematography by: Michael Caracciolo
Edited by: David Post
Set Production Assistant
'The Blacklist' The Freelancer (No. 145) (2013)
Directed by: Jace Alexander
Cinematography by: Frank Prinzi
Edited by: Harvey Rosenstock
Set Production Assistant
'The Blacklist' Wujing (No. 84) (2013)
Directed by: Michael W. Watkins
Cinematography by: Frank Prinzi
Edited by: Chris Brookshire
Set Production Assistant
'The Blacklist' The Stewmaker (No. 161) (2013)
Directed by: Vincent Misiano
Cinematography by: Frank Prinzi
Edited by: Nathan Gunn
Set Production Assistant
'The Blacklist' The Courier (No. 85) (2013)
Directed by: Nick Gomez
Cinematography by: Arthur Albert
Edited by: Harvey Rosenstock
Set Production Assistant
'The Blacklist' Gina Zanetakos (No. 152) (2013)
Directed by: Adam Arkin
Cinematography by: Frank Prinzi
Edited by: Chris Brookshire
Set Production Assistant - 12 Episodes, 2013-2014
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Additional Production Assistant
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Production Assistant
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Production Assistant
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Production Assistant
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Production Assistant
'Person of Interest' Ghosts (2011)
Directed by: Richard J. Lewis
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Set Decorator Production Assistant
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Production Assistant - 1 Episode, 2011
Person of Interest (2011)
Directed by: Chris Fisher, Richard J. Lewis, Frederick E.O. Toye, Jeffrey G. Hunt, Stephen Surjik, Stephen Williams, Kenneth Fink, Helen Shaver, Charles Beeson, Kevin Bray, Stephen Semel, Jeff T. Thomas, Sylvain White, Alrick Riley, Kate Woods, Colin Bucksey, Milan Cheylov, Steven DePaul, David Semel, Dennis Smith, Alex Zakrzewski, Brad Anderson, Jon Cassar, Félix Enríquez Alcalá, Clark Johnson, Larry Teng, David Von Ancken, James Whitmore Jr., Tricia Brock, John Dahl, Omar Madha, Jonathan Nolan, Jeffrey Lee Gibson, Kevin Hooks, Michael Offer, Margot Lulick, Tim Matheson, Greg Plageman, Maja Vrvilo
Cinematography by: Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski
Edited by: Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Editing System: Avid Editing System
Production Assistant
The Sitter (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Production Assistant
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Additional Production Assistant
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Production Assistant
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera