Susan Ehrhart

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Black Panther: Wakanda Forever | ShotOnWhat?

Production Supervisor

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Lenses: Panavision Anamorphic Macro Panatar Lenses, Panavision B Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Term Life | ShotOnWhat?

Production Supervisor

Term Life (2016)

Directed by: Peter Billingsley

Cinematography by: Roberto Schaefer

Edited by: Dan Lebental, Kevin Stermer

Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Production Supervisor: Additional Photography

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Production Supervisor: Oregon

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cirque du Soleil: Worlds Away | ShotOnWhat?

Production Supervisor

Cirque du Soleil: Worlds Away (2012)

Directed by: Andrew Adamson

Cinematography by: Brett Turnbull

Edited by: Sim Evan-Jones, Dirk Westervelt

Cameras: Sony HDC-1500 Camera

Larry Crowne | ShotOnWhat?

Production Supervisor

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Edge of Darkness | ShotOnWhat?

Production Supervisor

Edge of Darkness (2010)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Nim's Island | ShotOnWhat?

Production Supervisor

Nim's Island (2008)

Directed by: Jennifer Flackett, Mark Levin

Cinematography by: Stuart Dryburgh

Edited by: Stuart Levy

Cameras: Panavision Cameras

Dan in Real Life | ShotOnWhat?

Production Coordinator

Dan in Real Life (2007)

Directed by: Peter Hedges

Cinematography by: Lawrence Sher

Edited by: Sarah Flack

Waist Deep | ShotOnWhat?

Production Supervisor

Waist Deep (2006)

Directed by: Vondie Curtis-Hall

Cinematography by: Shane Hurlbut

Edited by: Terilyn A. Shropshire

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | ShotOnWhat?

Production Supervisor: Additional Photography

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

Directed by: Larry Charles

Cinematography by: Luke Geissbuhler, Anthony Hardwick

Edited by: Craig Alpert, Peter Teschner, James Thomas

Cameras: Panasonic AJ-HDC27 Varicam Camera

50 First Dates | ShotOnWhat?

Production Coordinator

50 First Dates (2004)

Directed by: Peter Segal

Cinematography by: Jack N. Green

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Tears of the Sun | ShotOnWhat?

Assistant Production Coordinator

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Ali | ShotOnWhat?

Assistant Production Coordinator

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Patriot | ShotOnWhat?

Assistant Production Coordinator

The Patriot (2000)

Directed by: Roland Emmerich

Cinematography by: Caleb Deschanel

Edited by: David Brenner, Christopher Holmes, Julie Monroe

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Deep End of the Ocean | ShotOnWhat?

Production Secretary

The Deep End of the Ocean (1999)

Directed by: Ulu Grosbard

Cinematography by: Stephen Goldblatt

Edited by: John Bloom

Mystery Men | ShotOnWhat?

Assistant Production Coordinator

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Hush | ShotOnWhat?

Production Assistant

Hush (1998)

Directed by: Jonathan Darby

Cinematography by: Andrew Dunn

Edited by: Lynzee Klingman, Robert Leighton, Dan Rae

The Replacement Killers | ShotOnWhat?

Production Assistant

The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

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