Digital Matte Painter: Framestore
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Digital Matte Painter: Rise Visual Effects Studios
'Dark' Endings and Beginnings (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Roan Densimbor
Digital Matte Painter: Rise Visual Effects Studios
'Dark' The White Devil (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Simon Gstöttmayr
Digital Matte Painter: Rise Visual Effects Studios
'Dark' An Endless Cycle (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Digital Matte Painter: Rise Visual Effects Studios
'Dark' Lost and Found (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Boris Gromatzki
Digital Matte Painter: Rise Visual Effects Studios
'Dark' The Travelers (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Simon Gstöttmayr
Digital Matte Painter: Rise Visual Effects Studios
'Dark' Ghosts (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Anja Siemens
Digital Matte Painter: Rise Visual Effects Studios
'Dark' Dark Matter (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Boris Gromatzki
Digital Matte Painter: Rise Visual Effects Studios
'Dark' Beginnings and Endings (2019)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz
Digital Matte Painter: RISE Visual Effects Studios
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Digital Matte Painter: Framestore
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Matte Painter: RISE Visual Effects Studios
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Concept Artist: Framestore
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Digital Matte Painter: RISE Visual Effects Studios
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Digital Matte Painter: Rise Visual Effects Studios - 8 Episodes, 2019
Dark (2017)
Directed by: Baran bo Odar
Cinematography by: Nikolaus Summerer
Edited by: Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Matte Painting
The Imitation Game (2014)
Directed by: Morten Tyldum
Cinematography by: Oscar Faura
Edited by: William Goldenberg
Lenses: Zeiss Master Prime Lenses
