Digital Compositor
Rustin (2023)
Directed by: George C. Wolfe
Cinematography by: Tobias A. Schliessler
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Rental DNA LF Lenses
Digital Artist: Crafty Apes
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Digital Compositor
'The Blacklist' Cape May (2016)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: David Post
Digital Compositor
'The Blacklist' The Director (No. 24) (2016)
Directed by: Mary Lambert
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Digital Compositor
'The Blacklist' The Director (No. 24): Conclusion (2016)
Directed by: John Terlesky
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Mr. Gregory Devry (No. 95) (2016)
Directed by: Alex Zakrzewski
Cinematography by: Michael Caracciolo
Edited by: David Post
Digital Compositor
'The Blacklist' The Vehm (No. 132) (2016)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: Emily Greene
Digital Compositor
'The Blacklist' Alistair Pitt (No. 103) (2016)
Directed by: Bill Roe
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Lady Ambrosia (No. 77) (2016)
Directed by: Tim Hunter
Cinematography by: Eric Moynier
Edited by: David Post
Digital Compositor
'The Blacklist' The Caretaker (No. 78) (2016)
Directed by: Donald E. Thorin Jr.
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Drexel (No. 113) (2016)
Directed by: Anton Cropper
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Digital Compositor
'The Blacklist' Mr. Solomon (No. 32) (2016)
Directed by: Eagle Egilsson
Cinematography by: Michael Caracciolo
Edited by: David Post
Digital Compositor
'The Blacklist' Mr. Solomon (No. 32): Conclusion (2016)
Directed by: John Terlesky
Cinematography by: Eric Moynier
Edited by: Emily Greene
Digital Compositor
'The Blacklist' The Artax Network (No. 41) (2016)
Directed by: Donald E. Thorin Jr.
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Alexander Kirk (No. 14) (2016)
Directed by: Michael Dinner
Cinematography by: Eric Moynier
Digital Artist: Crafty Apes - 1 Episode, 2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Digital Compositor
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Digital Compositor
'The Blacklist' Susan Hargrave (No. 18) (2016)
Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Digital Compositor
'The Blacklist' Tom Keen (No. 7) (2015)
Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Digital Compositor
'The Blacklist' The Major (No. 75) (2015)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Digital Compositor
'The Blacklist' T. Earl King VI (No. 94) (2015)
Directed by: Steven A. Adelson
Cinematography by: Eric Moynier
Edited by: David Post
Digital Compositor
'The Blacklist' The Deer Hunter (No. 93) (2015)
Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Ruslan Denisov (No. 67) (2015)
Directed by: Andrew McCarthy
Edited by: David Post
Digital Compositor
'The Blacklist' The Kenyon Family (No. 71) (2015)
Directed by: David Platt
Cinematography by: Eric Moynier
Edited by: Nathan Gunn
Digital Compositor
'The Blacklist' Leonard Caul (No. 62) (2015)
Directed by: Michael Waxman
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Luther Braxton (No. 21): Conclusion (2015)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Luther Braxton (No. 21) (2015)
Directed by: Joe Carnahan
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn
Digital Compositor
'The Blacklist' The Longevity Initiative (No. 97) (2015)
Directed by: Donald E. Thorin Jr.
Cinematography by: Eric Moynier
Edited by: David Post
Digital Compositor
'The Blacklist' Vanessa Cruz (No. 117) (2015)
Directed by: Guy Ferland
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn
Digital Compositor
'The Blacklist' Quon Zhang (No. 87) (2015)
Directed by: Karen Gaviola
Cinematography by: Michael Caracciolo
Edited by: David Post
Digital Compositor
'The Blacklist' Karakurt (No. 55) (2015)
Directed by: Steven A. Adelson
Cinematography by: Eric Moynier
Edited by: Nathan Gunn
Digital Compositor
'The Blacklist' The Troll Farmer (No. 38) (2015)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Tom Connolly (No. 11) (2015)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Eli Matchett (No.72) (2015)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Emily Greene
Digital Compositor
'The Blacklist' The Djinn (No. 43) (2015)
Directed by: Omar Madha
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Sir Crispin Crandall (No. 86) (2015)
Directed by: Ami Canaan Mann
Cinematography by: Eric Moynier
Edited by: Emily Greene
Digital Compositor
'The Blacklist' Zal Bin Hasaan (No. 31) (2015)
Directed by: Michael W. Watkins
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Kings of the Highway (No. 108) (2015)
Directed by: Terrence O'Hara
Cinematography by: Eric Moynier
Digital Compositor
'The Blacklist' Marvin Gerard (No. 80) (2015)
Directed by: Andrew McCarthy
Cinematography by: Eric Moynier
Edited by: David Post
Digital Compositor
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Digital Compositor
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
'The Blacklist' The Mombasa Cartel (No. 114) (2014)
Directed by: David Platt
Cinematography by: Eric Moynier
Edited by: Nathan Gunn
Digital Compositor
'The Blacklist' Monarch Douglas Bank (No. 112) (2014)
Directed by: Paul A. Edwards
Cinematography by: Eric Moynier
Edited by: David Post
Digital Compositor
'The Blacklist' The Front (No. 74) (2014)
Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: David Post
Digital Compositor
'The Blacklist' Dr. Linus Creel (No. 82) (2014)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: Chris Brookshire
Digital Compositor
'The Blacklist' Dr. James Covington (No. 89) (2014)
Directed by: Karen Gaviola
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn
Digital Compositor
'The Blacklist' Lord Baltimore (No. 104) (2014)
Directed by: Michael W. Watkins
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire
Compositor
'Royal Pains' Everybody Loves Ray, Man (2014)
Directed by: Constantine Makris
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Compositor
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Digital Compositor
'The Blacklist' The Decembrist (No. 12) (2014)
Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: David Post
Compositor
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Compositor
'The Americans' Behind the Red Door (2014)
Directed by: Charlotte Sieling
Cinematography by: Richard Rutkowski
Edited by: Amanda Pollack
Compositor - 1 Episode, 2014
The Americans (2013)
Directed by: Chris Long, Daniel Sackheim, Thomas Schlamme, Daniel Attias, Stefan Schwartz, Kevin Dowling, Nicole Kassell, Adam Arkin, Noah Emmerich, Matthew Rhys, John Dahl, Andrew Bernstein, Steph Green, Kevin Bray, Roxann Dawson, Sylvain White, Alex Chapple, Holly Dale, Jean de Segonzac, Bill Johnson, Jim McKay, Gavin O'Connor, Gregory Hoblit, Lodge Kerrigan, Constantine Makris, Alik Sakharov, Charlotte Sieling, Larysa Kondracki, Christopher Misiano, Stephen Williams, Kari Skogland, Gwyneth Horder-Payton
Cinematography by: Richard Rutkowski, J.B. Smith, Alex Nepomniaschy, Dan Stoloff, Alan Caso, Radium Cheung
Edited by: Daniel A. Valverde, Amanda Pollack, Michael Berenbaum, Sheri Bylander, Katie Ennis, Marnee Meyer, Alan Cody
Cameras: ARRI ALEXA Camera
Digital Compositor
'Elementary' Déjà Vu All Over Again (2013)
Directed by: Jerry Levine
Cinematography by: Ron Fortunato
Digital Compositor - 44 Episodes, 2014-2016
The Blacklist (2013)
Directed by: Michael W. Watkins, Bill Roe, Andrew McCarthy, Donald E. Thorin Jr., Terrence O'Hara, Steven A. Adelson, John Terlesky, Michael Caracciolo, Karen Gaviola, Kurt Kuenne, Joe Carnahan, Christine Gee, Vincent Misiano, David Platt, Paul A. Edwards, Michael Zinberg, Alex Zakrzewski, Adam T. Weisinger, Jean de Segonzac, Cort Hessler, Solvan Naim, Jace Alexander, Adam Arkin, Nick Gomez, Stephen Surjik, Dan Lerner, Peter Werner, Randy Zisk, Guy Ferland, Omar Madha, Ami Canaan Mann, Michael Waxman, Anton Cropper, Michael Dinner, Eagle Egilsson, Tim Hunter, Mary Lambert, Edward Ornelas, Paul Holahan, Bethany Rooney, Stephanie A. Marquardt, Lin Oeding, Lisa Robinson, Daniel Willis
Cinematography by: Michael Caracciolo, Eric Moynier, Saade Mustafa, Frank Prinzi, Arthur Albert, Yasu Tanida, Peter Reniers
Edited by: Chris Brookshire, David Post, Emily Greene, Nathan Gunn, Orlando Machado Jr., Harvey Rosenstock, Amy M. Fleming, Kevin Hale, Jason Hellmann, Rhett Finch, Eric L. Beason
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Digital Compositor
'Elementary' The Woman (2013)
Directed by: Seith Mann
Cinematography by: Roy H. Wagner
Edited by: Sondra Watanabe
Digital Compositor / Visual Effects Supervisor: The Molecule
'Elementary' Snow Angels (2013)
Directed by: Andrew Bernstein
Cinematography by: Roy H. Wagner
Edited by: Gerald Valdez
Visual Effects Artist
'Royal Pains' Who's Your Daddy (2012)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Digital Compositor / Visual Effects Supervisor: The Molecule - 3 Episodes, 2013
Elementary (2012)
Directed by: Guy Ferland, Christine Moore, John Polson, Ron Fortunato, Seith Mann, Jerry Levine, Larry Teng, Aaron Lipstadt, Lucy Liu, Andrew Bernstein, Sanaa Hamri, Michael Slovis, Michael Pressman, Alex Chapple, Jonny Lee Miller, John David Coles, Peter Werner, Jeremy Webb, Jennifer Lynch, Phil Abraham, Colin Bucksey, Michael Cuesta, Rod Holcomb, David Platt, Rosemary Rodriguez, Adam Davidson, Jean de Segonzac, Helen Shaver, Aidan Quinn, Michael Hekmat, Maja Vrvilo, Jon Michael Hill, Thomas Carter
Cinematography by: Ron Fortunato, Tom Houghton, Roy H. Wagner, Peter Reniers, Mauricio Rubinstein, Nelson Cragg, Carlos Omar Guerra
Edited by: Sondra Watanabe, Gerald Valdez, Jeff Vacirca, Bill Zabala, Victor Du Bois, Joe Hobeck, Sally Anne Schultz, Sang Han, Michelle Fellner
Cameras: ARRI ALEXA Camera
Compositor: The Molecule
Thanks for Sharing (2012)
Directed by: Stuart Blumberg
Cinematography by: Yaron Orbach
Edited by: Anne McCabe
Cameras: ARRI ALEXA Camera
Compositor
'Royal Pains' Off-Season Greetings: Part 2 (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Compositor
'Royal Pains' Off-Season Greetings: Part 1 (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Compositor / Visual Effects Artist
'Royal Pains' Sand Legs (2012)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Edited by: Gary Levy
Compositor / Visual Effects Artist
'Royal Pains' Something Fishy This Way Comes (2012)
Directed by: Janice Cooke
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Compositor / Visual Effects Artist
'Royal Pains' Hurts Like a Mother (2012)
Directed by: Tawnia McKiernan
Cinematography by: Joe Collins
Edited by: Gary Levy
Compositor / Visual Effects Artist
'Royal Pains' Dancing with the Devil (2012)
Directed by: Paulo Costanzo
Cinematography by: Joe Collins
Edited by: Charles McClelland
Compositor / Visual Effects Artist
'Royal Pains' Business & Pleasure (2012)
Directed by: Constantine Makris
Cinematography by: Joe Collins
Edited by: Gary Levy
Compositor / Visual Effects Artist
'Royal Pains' Manimal (2012)
Directed by: Mark Feuerstein
Cinematography by: Joe Collins
Edited by: Charles McClelland
Compositor / Visual Effects Artist
'Royal Pains' Fools Russian (2012)
Directed by: Allison Liddi-Brown
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Compositor / Visual Effects Artist
'Royal Pains' About Face (2012)
Directed by: Matthew Penn
Cinematography by: Joe Collins
Edited by: Gary Levy
Compositor / Visual Effects Artist
'Royal Pains' You Give Love a Bad Name (2012)
Directed by: Michael Rauch
Cinematography by: Joe Collins
Edited by: Charles McClelland
Compositor / Visual Effects Artist
'Royal Pains' Dawn of the Med (2012)
Directed by: Michael W. Watkins
Cinematography by: Joe Collins
Edited by: Daniel A. Valverde
Compositor / Visual Effects Artist
'Royal Pains' A Guesthouse Divided (2012)
Directed by: Jay Chandrasekhar
Cinematography by: Joe Collins
Edited by: Gary Levy
Compositor / Visual Effects Artist
'Royal Pains' Imperfect Storm (2012)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Compositor / Visual Effects Artist
'Royal Pains' After the Fireworks (2012)
Directed by: Emile B. Levisetti
Cinematography by: Joe Collins
Edited by: Charles McClelland
Compositor / Visual Effects Artist - 17 Episodes, 2012-2014
Royal Pains (2009)
Directed by: Michael Rauch, Matthew Penn, Jay Chandrasekhar, Emile B. Levisetti, Constantine Makris, Michael W. Watkins, Ed Fraiman, Mark Feuerstein, Allison Liddi-Brown, Don Scardino, Jace Alexander, Tawnia McKiernan, Janice Cooke, Paulo Costanzo, Joe Collins, Dennie Gordon, Ken Whittingham, Charles McClelland, Ken Girotti, Bronwen Hughes, Eric Laneuville, Dennis Smith, Wendey Stanzler, Tricia Brock, Kevin Dowling, Lara Shapiro, Michael B. Silver, Brendan Walsh
Cinematography by: Joe Collins, David S. Tuttman, Jim Denault, Michael Slovis, David M. Dunlap, Michael Caracciolo, Raphy Molinary
Edited by: Charles McClelland, Daniel A. Valverde, Gary Levy, Deborah Moran, Marnee Meyer, Arge O'Neal, Nancy Morrison, Gregory Perler, Matthew S. Nickelson, Michael Berenbaum, Elizabeth Merrick, Jeffrey Wolf, Thom Zimny, Robert Nassau
Cameras: Sony CineAlta F35 Camera
Lenses: Panavision Lenses
