Margie Stone McShirley

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The Insider | ShotOnWhat?

Supervising Art Director

The Insider (1999)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: William Goldenberg, David Rosenbloom, Paul Rubell

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses

Heat | ShotOnWhat?

Art Director

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Exit to Eden | ShotOnWhat?

Art Director

Exit to Eden (1994)

Directed by: Garry Marshall

Cinematography by: Theo van de Sande

Edited by: David Finfer

The Beverly Hillbillies | ShotOnWhat?

Art Director

The Beverly Hillbillies (1993)

Directed by: Penelope Spheeris

Cinematography by: Robert Brinkmann

Edited by: Ross Albert

Cameras: ARRIFLEX 535 B Camera

The Addams Family | ShotOnWhat?

Art Director

The Addams Family (1991)

Directed by: Barry Sonnenfeld

Cinematography by: Owen Roizman

Edited by: Dede Allen, Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Back to the Future Part III | ShotOnWhat?

Art Director

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Three Fugitives | ShotOnWhat?

Art Director

Three Fugitives (1989)

Directed by: Francis Veber

Cinematography by: Haskell Wexler

Edited by: Bruce Green

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Back to the Future Part II | ShotOnWhat?

Art Director

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Back to School | ShotOnWhat?

Assistant Art Director

Back to School (1986)

Directed by: Alan Metter

Cinematography by: Thomas E. Ackerman

Edited by: David Rawlins

Cameras: Panavision Cameras

Back to the Future | ShotOnWhat?

Set Designer

Back to the Future (1985)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Pee-wee's Big Adventure | ShotOnWhat?

Assistant Art Director

Pee-wee's Big Adventure (1985)

Directed by: Tim Burton

Cinematography by: Victor J. Kemper

Edited by: Billy Weber

Swing Shift | ShotOnWhat?

Set Designer

Swing Shift (1984)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Craig McKay

The Woman in Red | ShotOnWhat?

Set Designer

The Woman in Red (1984)

Directed by: Gene Wilder

Cinematography by: Fred Schuler

Edited by: Christopher Greenbury

Cannery Row | ShotOnWhat?

Set Designer

Cannery Row (1982)

Directed by: David S. Ward

Cinematography by: Sven Nykvist

Edited by: David Bretherton

48 Hrs. | ShotOnWhat?

Set Designer

48 Hrs. (1982)

Directed by: Walter Hill

Cinematography by: Ric Waite

Edited by: Freeman A. Davies, Mark Warner, Billy Weber

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