Zuzana Milfort

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6 Underground | ShotOnWhat?

Special Effects Coordinator

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

Special Effects Office Coordinator: United Kingdom

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Special Effects Coordinator

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Special Effects Coordinator

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Hannibal Rising | ShotOnWhat?

Special Effects Coordinator

Hannibal Rising (2007)

Directed by: Peter Webber

Cinematography by: Ben Davis

Edited by: Valerio Bonelli, Pietro Scalia

The Brothers Grimm | ShotOnWhat?

Special Effects Coordinator

The Brothers Grimm (2005)

Directed by: Terry Gilliam

Cinematography by: Newton Thomas Sigel

Edited by: Lesley Walker

The League of Extraordinary Gentlemen | ShotOnWhat?

Special Effects Senior Technician

The League of Extraordinary Gentlemen (2003)

Directed by: Stephen Norrington

Cinematography by: Dan Laustsen

Edited by: Paul Rubell

Cameras: Panavision Cameras

Lenses: Panavision Lenses

xXx | ShotOnWhat?

Special Effects Technician

xXx (2002)

Directed by: Rob Cohen

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Joel Negron, Paul Rubell

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision CN400 400 mm T3.0 Lens, Panavision Primo Anamorphic Lenses

The Mummy | ShotOnWhat?

Assistant Special Effects Technician

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The World Is Not Enough | ShotOnWhat?

Special Effects Technician

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Snow White: A Tale of Terror | ShotOnWhat?

Special Effects Assistant

Snow White: A Tale of Terror (1997)

Directed by: Michael Cohn

Cinematography by: Mike Southon

Edited by: Ian Crafford

Tomorrow Never Dies | ShotOnWhat?

Special Effects Technician

Tomorrow Never Dies (1997)

Directed by: Roger Spottiswoode

Cinematography by: Robert Elswit

Edited by: Michel Arcand, Dominique Fortin

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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