Paul Damien

10 Titles

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The Collection | ShotOnWhat?

Special Effects Technician

The Collection (2012)

Directed by: Marcus Dunstan

Cinematography by: Sam McCurdy

Edited by: Kevin Greutert, Mark Stevens

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses

I Am Number Four | ShotOnWhat?

Special Effects Technician: Florida

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Crazies | ShotOnWhat?

Special Effects Technician

The Crazies (2010)

Directed by: Breck Eisner

Cinematography by: Maxime Alexandre

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Away We Go | ShotOnWhat?

Prop Maker: Florida

Away We Go (2009)

Directed by: Sam Mendes

Cinematography by: Ellen Kuras

Edited by: Sarah Flack

Get Low | ShotOnWhat?

Special Effects Technician

Get Low (2009)

Directed by: Aaron Schneider

Cinematography by: David Boyd

Edited by: Aaron Schneider

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Never Back Down | ShotOnWhat?

Assistant Craft Service

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Pirates of the Caribbean: At World's End | ShotOnWhat?

Pre-rigging Technician: Bahamas / Special Effects Technician

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Hoot | ShotOnWhat?

Propmaker

Hoot (2006)

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Special Effects Rigging Shop Technician

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Manchurian Candidate | ShotOnWhat?

Carpenter

The Manchurian Candidate (2004)

Directed by: Jonathan Demme

Cinematography by: Tak Fujimoto

Edited by: Carol Littleton, Craig McKay

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