Brett Cole

10 Titles

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Hell or High Water | ShotOnWhat?

Stunt Utility

Hell or High Water (2016)

Directed by: David Mackenzie

Cinematography by: Giles Nuttgens

Edited by: Jake Roberts

Cameras: ARRI ALEXA XT Studio Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Sicario | ShotOnWhat?

Stunts

Sicario (2015)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses

Divergent | ShotOnWhat?

Special Effects Technician

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Odd Thomas | ShotOnWhat?

Stunts

Odd Thomas (2013)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: David Checel

Cameras: Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Lone Survivor | ShotOnWhat?

Special Effects Technician

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

The Hangover Part II | ShotOnWhat?

Special Effects

The Hangover Part II (2011)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher, Michael L. Sale

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Due Date | ShotOnWhat?

Special Effects: New Mexico

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Let Me In | ShotOnWhat?

Special Effects Technician: Snow

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Crazy Heart | ShotOnWhat?

Special Effects Technician

Crazy Heart (2009)

Directed by: Scott Cooper

Cinematography by: Barry Markowitz

Edited by: John Axelrad, Jeffrey Ford

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Spirit | ShotOnWhat?

Prop Maker/welder

The Spirit (2008)

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

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