Senior Visual Effects Supervisor
'Altered Carbon' Episode #2.8 (2019)
Senior Visual Effects Supervisor
'Altered Carbon' Episode #2.7 (2019)
Senior Visual Effects Supervisor
'Altered Carbon' Episode #2.6 (2019)
Directed by: Jeremy Webb
Cinematography by: Corey Robson
Senior Visual Effects Supervisor
'Altered Carbon' Episode #2.5 (2019)
Directed by: Jeremy Webb
Edited by: Erin Deck
Senior Visual Effects Supervisor
'Altered Carbon' Episode #2.4 (2019)
Directed by: M.J. Bassett
Edited by: Jay Prychidny
Senior Visual Effects Supervisor
'Altered Carbon' Episode #2.3 (2019)
Directed by: M.J. Bassett
Edited by: Geoff Ashenhurst
Senior Visual Effects Supervisor
'Altered Carbon' Episode #2.2 (2019)
Directed by: Ciaran Donnelly
Edited by: Erin Deck
Senior Visual Effects Supervisor
'Altered Carbon' Episode #2.1 (2019)
Directed by: Ciaran Donnelly
Edited by: Stephen Philipson
Senior Visual Effects Supervisor - 8 Episodes, 2019
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Visual Effects Supervisor
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Visual Effects Supervisor
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Second Unit Director: Cayman, Visual Effects Supervisor
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Second Unit Director , Visual Effects Supervisor
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Visual Effects Supervisor
Against the Ropes (2004)
Directed by: Charles S. Dutton
Cinematography by: Jack N. Green
Edited by: Eric L. Beason
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor
The Music Man (2003)
Directed by: Jeff Bleckner
Cinematography by: James Chressanthis
Second Unit Director, Visual Effects Producer
Nothing (2003)
Directed by: Vincenzo Natali
Cinematography by: Derek Rogers
Edited by: Michele Conroy
Visual Effects Supervisor: C.O.R.E. Digital Pictures
The Rats (2002)
Directed by: John Lafia
Cinematography by: David Foreman
Edited by: Michael N. Knue
Visual Effects Supervisor: C.O.R.E. Digital Pictures
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor: C.O.R.E. Digital Pictures
The Caveman's Valentine (2001)
Directed by: Kasi Lemmons
Cinematography by: Amy Vincent
Edited by: Terilyn A. Shropshire
On-set Supervisor: C.O.R.E. Digital Pictures
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Visual Effects Supervisor: C.O.R.E. Digital Pictures
Snow Day (2000)
Directed by: Chris Koch
Cinematography by: Robbie Greenberg
Edited by: David Finfer
On-set Supervisor: C.O.R.E. Digital Pictures
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Visual Effects Supervisor
Finding Forrester (2000)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Valdís Óskarsdóttir
Animation Director
Restless Spirits (1999)
Directed by: David Wellington
Cinematography by: André Pienaar
Edited by: Jeff Warren
Animation Supervisor: C.O.R.E. Digital
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Digital Effects Director
Cube (1997)
Directed by: Vincenzo Natali
Cinematography by: Derek Rogers
Edited by: John Sanders
Digital Effects Consultant: Core Digital
Fly Away Home (1996)
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Technical Supervisor: C.O.R.E. Digital Pictures
Johnny Mnemonic (1995)
Directed by: Robert Longo
Cinematography by: François Protat
Edited by: Ronald Sanders
