Digital Compositor: Switch VFX
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Digital Compositor
Nurse 3D (2013)
Directed by: Douglas Aarniokoski
Cinematography by: Boris Mojsovski
Edited by: Andrew Coutts
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
Moon Point (2011)
Directed by: Sean Cisterna
Cinematography by: Carl Elster
Edited by: Michelle Szemberg
Digital Compositor: Switch VFX
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Supervising Digital Compositor: Switch VFX
Saw 3D: The Final Chapter (2010)
Directed by: Kevin Greutert
Cinematography by: Brian Gedge
Edited by: Andrew Coutts
Cameras: Silicon Imaging SI-2K Camera
Digital Compositing Supervisor: Switch VFX
Snow Buddies (2008)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Compositor: Switch VFX / Digital Artist: Head Titles, Switch VFX
Saw V (2008)
Directed by: David Hackl
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Lead Compositor: Switch VFX
Repo! The Genetic Opera (2008)
Directed by: Darren Lynn Bousman
Cinematography by: Joseph White
Edited by: Harvey Rosenstock
Cameras: Panavision Genesis Camera
Lead Digital Artist: Switch VFX
Slither (2006)
Directed by: James Gunn
Cinematography by: Gregory Middleton
Edited by: John Axelrad
Senior Digital Artist: Switch VFX
Saw III (2006)
Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Lead Digital Artist: Switch VFX
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Digital Compositor
Anonymous Rex (2004)
Directed by: Julian Jarrold
Cinematography by: Albert J. Dunk
Lead Visual Effects Artist/compositor: Calibre Digital Pictures
Ice Bound (2003)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Edited by: Dominique Fortin
Digital Compositor / Visual Effects Supervisor
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Digital Compositor
Panic Room (2002)
Directed by: David Fincher
Cameras: Panavision Panaflex Platinum Camera
Compositor: Hybride Technologies
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Digital Compositor
Going Back (2001)
Directed by: Sidney J. Furie
Cinematography by: Curtis Petersen
Edited by: Saul Pincus
Digital Compositor
Jason X (2001)
Directed by: James Isaac
Cinematography by: Derick V. Underschultz
Edited by: David Handman
Senior 2d Artist: Gajdecki Visual Effects
Warriors of Virtue (1997)
Directed by: Ronny Yu
Cinematography by: Peter Pau
Edited by: David Wu
Digital Artist: Gajdecki Visual Effects
Johnny 2.0 (1997)
Directed by: Neill Fearnley
Cinematography by: Manfred Guthe
Edited by: Stephen Lawrence
Model Maker / Model Wrangler
Ordeal in the Arctic (1993)
Directed by: Mark Sobel
Cinematography by: Miklós Lente
Edited by: Allan Lee
Costume Designer
The Big Slice (1991)
Directed by: John Bradshaw
Cinematography by: Ludek Bogner
Edited by: Nick Rotundo
Cameras: ARRI ARRIFLEX Series Cameras
