Colorist
Eden (2014)
Directed by: Mia Hansen-Løve
Cinematography by: Denis Lenoir
Edited by: Marion Monnier
Cameras: ARRI ALEXA Plus Camera
Colorist
Supercondriaque (2014)
Directed by: Dany Boon
Cinematography by: Romain Winding
Edited by: Monica Coleman
Colorist
Avant l'hiver (2013)
Directed by: Philippe Claudel
Cinematography by: Denis Lenoir
Edited by: Elisa Aboulker
Cameras: ARRI ALEXA Studio Camera
Colorist
Silent Ones (2013)
Directed by: Ricky Rijneke
Cameras: Aaton Penelope Camera
Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
Editing System: Final Cut Pro Editing System
Colorist: Galaxy Studios
Diana (2013)
Directed by: Oliver Hirschbiegel
Cinematography by: Rainer Klausmann
Edited by: Hans Funck
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Colorist
À perdre la raison (2012)
Directed by: Joachim Lafosse
Cinematography by: Jean-François Hensgens
Edited by: Sophie Vercruysse
Colorist
The Broken Circle Breakdown (2012)
Directed by: Felix van Groeningen
Cinematography by: Ruben Impens
Edited by: Nico Leunen
Cameras: ARRI ALEXA Camera
Colorist
2 Days in New York (2012)
Directed by: Julie Delpy
Cinematography by: Lubomir Bakchev
Edited by: Isabelle Devinck
Cameras: ARRI ALEXA Camera, Sony HDW-750 Camera
Colorist
Death of a Shadow (2012)
Directed by: Tom Van Avermaet
Cinematography by: Stijn Van der Veken
Edited by: Dieter Diependaele
Colorist
The Devil's Double (2011)
Directed by: Lee Tamahori
Cinematography by: Sam McCurdy
Edited by: Luis Carballar
Cameras: ARRIFLEX 435 Camera, Red One Camera
Colorist
When Pigs Have Wings (2011)
Directed by: Sylvain Estibal
Cinematography by: Romain Winding
Edited by: Damien Keyeux
Cameras: ARRI ALEXA Camera
Colorist / Digital Intermediate Supervisor
Adem (2010)
Directed by: Hans Van Nuffel
Cinematography by: Ruben Impens
Edited by: Alain Dessauvage
Co-colorist
Schemer (2010)
Directed by: Hanro Smitsman
Cinematography by: Joost Rietdijk
Edited by: Marc Bechtold
Cameras: Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Colorist
Christopher Roth (2010)
Directed by: Maxime Alexandre
Cinematography by: Maxime Alexandre
Cameras: Red One Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Colorist
De helaasheid der dingen (2009)
Directed by: Felix van Groeningen
Cinematography by: Ruben Impens
Edited by: Nico Leunen
Cameras: Red One Camera
Colorist
Kruistocht in spijkerbroek (2006)
Directed by: Ben Sombogaart
Cinematography by: Reinier van Brummelen
Edited by: Herman P. Koerts
Digital Color Grader: Ace Digital House
Tanghi argentini (2006)
Directed by: Guy Thys
Cinematography by: Frank van den Eeden
Edited by: Alain Dessauvage
