Key Account Manager: Arri
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Production Manager
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Film Lab: ARRI Munich
Hannah Arendt (2012)
Directed by: Margarethe von Trotta
Cinematography by: Caroline Champetier
Edited by: Bettina Böhler
Cameras: Red Epic Camera
Key Account Manager: ARRI Film & TV
John Rabe (2009)
Directed by: Florian Gallenberger
Cinematography by: Jürgen Jürges
Edited by: Hansjörg Weißbrich
Key Account Manager: Arri Schwartzfilm Berlin
Mammoth (2009)
Directed by: Lukas Moodysson
Cinematography by: Marcel Zyskind
Edited by: Michal Leszczylowski
Key Account Manager
The Wave (2008)
Directed by: Dennis Gansel
Cinematography by: Torsten Breuer
Edited by: Ueli Christen
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Key Accountant: Arri Film & Tv
Die Höhle des gelben Hundes (2005)
Directed by: Byambasuren Davaa
Cinematography by: Daniel Schönauer
Edited by: Sarah Clara Weber
Key Account Manager: ARRI Film & TV
Luther (2003)
Directed by: Eric Till
Cinematography by: Robert Fraisse
Edited by: Clive Barrett
Cameras: ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses
Visual Effects Producer: ARRI Digital
Erleuchtung garantiert (1999)
Directed by: Doris Dörrie
Cinematography by: Hans Karl Hu
Visual Effects Producer
Schlaraffenland (1999)
Directed by: Friedemann Fromm
Cinematography by: Jo Heim
Edited by: Eva Schnare
Digital Effects Artist, Support: ARRI TV & Kopierwerk
The Periwig-Maker (1999)
Directed by: Steffen Schäffler
