Simon Descamps

21 Titles

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The Last Duel | ShotOnWhat?

Head Of Production: Mikros

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

The Transporter Refueled | ShotOnWhat?

Visual Effects Producer: Digital Factory

The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Taken 3 | ShotOnWhat?

Visual Effects Producer: Digital Factory

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Lucy | ShotOnWhat?

Visual Effects Producer: Digital Factory

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

3 Days to Kill | ShotOnWhat?

Visual Effects Producer

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Brick Mansions | ShotOnWhat?

Visual Effects Producer

Brick Mansions (2014)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

The Family | ShotOnWhat?

Visual Effects Coordinator

The Family (2013)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Les invincibles | ShotOnWhat?

Visual Effects Coordinator

Les invincibles (2013)

Directed by: Frédéric Berthe

Cinematography by: David Quesemand

Edited by: Vanessa Basté, Hugues Darmois, Stéphane Garnier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Lenses

20 ans d'écart | ShotOnWhat?

Visual Effects Coordinator

20 ans d'écart (2013)

Directed by: David Moreau

Cinematography by: Laurent Tangy

Edited by: Cyril Besnard

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Visual Effects Coordinator

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

Bienvenue à bord | ShotOnWhat?

I/o Vfx Support

Bienvenue à bord (2011)

Directed by: Eric Lavaine

Cinematography by: Stéphane Le Parc

Edited by: Vincent Zuffranieri

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Carnage | ShotOnWhat?

In And Out: Def2shoot

Carnage (2011)

Directed by: Roman Polanski

Cinematography by: Pawel Edelman

Edited by: Hervé de Luze

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Tomboy | ShotOnWhat?

Title

Tomboy (2011)

Directed by: Céline Sciamma

Cinematography by: Crystel Fournier

Edited by: Julien Lacheray

Rien à déclarer | ShotOnWhat?

I/o Vfx Support

Rien à déclarer (2010)

Directed by: Dany Boon

Cinematography by: Pierre Aïm

Edited by: Luc Barnier, Géraldine Rétif

600 kilos d'or pur | ShotOnWhat?

I/o Vfx Support

600 kilos d'or pur (2010)

Directed by: Éric Besnard

Cinematography by: Jean-Marie Dreujou

Edited by: Christophe Pinel

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Ghost Writer | ShotOnWhat?

I/o: Def2shoot

The Ghost Writer (2010)

Directed by: Roman Polanski

Cinematography by: Pawel Edelman

Edited by: Hervé de Luze

Les herbes folles | ShotOnWhat?

I/o Vfx

Les herbes folles (2009)

Directed by: Alain Resnais

Cinematography by: Eric Gautier

Edited by: Hervé de Luze

Je suis heureux que ma mère soit vivante | ShotOnWhat?

I/o Vfx Support

Je suis heureux que ma mère soit vivante (2009)

Directed by: Claude Miller, Nathan Miller

Cinematography by: Aurélien Devaux

Edited by: Morgane Spacagna

Océans | ShotOnWhat?

Visual Effects Production Assistant

Océans (2009)

Directed by: Jacques Perrin, Jacques Cluzaud

Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli

Edited by: Ellen Keneshea, Catherine Mauchain, Gregory F. Plotts, John Damien Ryan, Vincent Schmitt

Babylon A.D. | ShotOnWhat?

I/o Visual Effects

Babylon A.D. (2008)

Directed by: Mathieu Kassovitz

Cinematography by: Thierry Arbogast

Edited by: Benjamin Weill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera

Lenses: Panavision Primo Anamorphic Lenses

Un homme et son chien | ShotOnWhat?

Visual Effects Coordinator

Un homme et son chien (2008)

Directed by: Francis Huster

Cinematography by: Vincent Jeannot

Edited by: Luciana Reali

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