Still Photographer: Los Angeles
Taken 3 (2014)
Directed by: Olivier Megaton
Cinematography by: Eric Kress
Still Photographer Intern - Segment "Victory's Glory"
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Still Photographer: USA
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Still Photographer: US
Taken 2 (2012)
Directed by: Olivier Megaton
Cinematography by: Romain Lacourbas
Additional Still Photographer
Like Crazy (2011)
Directed by: Drake Doremus
Cinematography by: John Guleserian
Edited by: Jonathan Alberts
Cameras: Canon EOS-7D Camera
Lenses: Zeiss Ultra Prime Lenses
Still Photographer
Sympathy for Delicious (2010)
Directed by: Mark Ruffalo
Cinematography by: Christopher Norr
Edited by: Pete Beaudreau
Still Photographer
Extract (2009)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong
Still Photographer
The Invention of Lying (2009)
Cinematography by: Tim Suhrstedt
Edited by: Chris Gill
Still Photographer
Role Models (2008)
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Still Photographer
Witless Protection (2008)
Directed by: Charles Robert Carner
Cinematography by: Michael Goi
Edited by: Marc Leif
Still Photographer
How to Rob a Bank (and 10 Tips to Actually Get Away with It) (2007)
Directed by: Andrews Jenkins
Cinematography by: Joe Meade
Still Photographer
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Still Photographer
The Dog Problem (2006)
Directed by: Scott Caan
Cinematography by: Phil Parmet
Edited by: Jeffrey M. Werner
Still Photographer
Sin (2003)
Directed by: Michael Stevens
Cinematography by: Zoran Popovic
Edited by: Suzanne Fenn
Still Photographer
How High (2001)
Directed by: Jesse Dylan
Cinematography by: Francis Kenny
Edited by: Larry Bock
Still Photographer
Killer Me (2001)
Directed by: Zachary Hansen
Cinematography by: Neal Fredericks
Edited by: Zachary Hansen
Still Photographer: Additional Photography
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Still Photographer
Bad City Blues (1999)
Directed by: Michael Stevens
Cinematography by: Zoran Popovic
Edited by: John Ganem
Cameras: Panavision Cameras
Still Photographer: Los Angeles
Firestorm (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Still Photographer: Additional Photography Los Angeles
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Still Photographer: Additional Photography, Los Angeles
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Still Photographer: "b" Camera, Additional Photography / Still Photographer: Additional Photography
Alien Resurrection (1997)
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
